Welcome to our Illustrator in 60 Seconds series, in which you can learn an Illustrator skill, feature, or technique in just a minute!
Illustrator in 60 Seconds: The Asset Export Panel
The process of exporting multiple assets from Illustrator at the same time used to be a tedious task, but luckily for us Adobe has added a new tool that changes everything for the better.
If you want to learn more then you should definitely check out this short video, which comes with a couple of steps to help you.
The Asset Export Panel
Back in
the day, the process of exporting multiple assets at the same time used to be
really clunky, but luckily for us Adobe hasintroduced a new tool that allows you to
save as many items as you want, using just a couple of clicks.
By default, the tool is hidden, but you can find it underneath the Window menu, or within the Layers and Artboards group if you’re using the Essentials Classic workspace.
You start by selecting and then dragging the desired items within the
panel, which treats each group as its own asset.
Moving on, you have your Export Settings, which allow you to generate not one but multiple scales to which you can assign a custom suffix, and then choose from eight different file formats that can be individually set for each and every one of
them.
If you’re designing for iOS or Android you have a
set of dedicated buttons that will create all the required size variations, to
which you can add new ones or even remove those that are unnecessary.
Once you’re ready, all you have to do is press
the Export button, which will ask you
for a location to save the generated files.
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Need Awesome Resources? We’ve Got You Covered!
Whether you’re looking for brushes, textures or any other creative resource, we’ve put together an amazing library that’s forever increasing, which you can check out by heading over to Envato Elements.
Let’s begin using the Mesh Tool (U) by drawing the first petal!
Grab a rectangle, filling it with #FAF128. Next, use the Mesh Tool to create a Mesh grid inside the object by clicking on the preferred spots.
After you’ve created six rows and four columns of Mesh, use the Mesh Tool to round the object into a petal by dragging its edges and nodes. Use the screenshot below for reference.
Once you’ve done that, it’s time to color! Select the whole left edge of the object and color it with #B67810, and then color the second column from the left with #D7BE1B.
Step 2
Continue coloring the object as shown in the screenshot below. You will need these colors:
#FFFF2C
#E2CA1F
#D0B018
Step 3
You’ve finished the first petal! Now, create petal number 2 by simply stretching a copy of the first object.
Step 4
Create petal number 3 by stretching another copy of the first petal.
The third petal should be longer and thinner than the second one.
Step 5
For the fourth petal, make a copy that’s shorter and a bit thicker.
Step 6
Grab a copy of petal number 4, stretch it a bit, and color a few nodes in its base with #B57510.
Step 7
For number 6, slightly recolor a copy of the first petal using Edit > Edit Colors > Adjust Colors. Apply -5% Green.
Step 8
Assemble the flower out of the petals you made.
Step 9
Let’s create more petals! Make a bigger copy of petal 4.
Step 10
Stretch number 1.
Step 11
Enlarge number 4, and then color its left edge with #B57510.
Step 12
Begin creating the 10th petal with mesh.
#EFE124
#FFF92A
#C8BE1B
Step 13
#D3B119
#B57510
Finish the 10th petal.
Step 14
Create petal 11 by recoloring one node to #B57510.
Step 15
Draw the 12th petal.
#EFE124
#DBBF26
#BB8113
Step 16
#D0BD26
#FFF934
#E2CF2A
Step 17
Assemble the lower part of the flower.
Step 18
Create an object by applying a stroke to a curved line, creating a reflected copy of it, expanding both objects’ appearance, and then using Pathfinder to Unite both objects.
Step 19
Color the object with Mesh.
#FFE52B
#D09908
Next, turn the lowest row of mesh completely transparent.
Step 20
Finish the flower.
Step 21
Draw a leaf with Mesh.
#82924A
#2B3806
#6F7618
#94A546
#637323
Step 22
Add the leaves to the dandelion.
Step 23
Draw the stem out of three rows of mesh.
#597418
#839334
#FFFFFF
Step 24
Add the stem to the flower!
2. How to Draw the Front-Facing Dandelion
Step 1
Begin drawing the first petal for the second flower!
#FCDC00
#DEAF00
#E0C100
#FCEC00
#F2D700
Step 2
#FDE000
#E2A600
#D5A700
#F6C300
#F7D200
#FFF300
Step 3
#FDE000
#FBEA00
#EFCF00
#D3A300
#FCE300
Step 4
#F1BC00
#CE8F00
#FFDE00
#CEA000
#BB8200
#F9CD00
Step 5
Create the fifth petal out of the first one.
Step 6
Create the sixth petal.
Step 7
Assemble the outer part of the flower.
Step 8
Create a smaller copy of the flower, and then reflect it and add it inside the bigger ring.
Step 9
Add an ellipse filled with #FFB600 behind the petals.
Step 10
Open the attachment to this tutorial, dandelion.jpg.
Drag it inside your work document in Adobe Illustrator, and then open the Image Trace panel.
Set the number of Colors to 30, adjusting the other settings to match the screenshot if they are different. Press Trace, and then Object > Expand Appearance.
Step 11
Delete the outer yellow part of the traced dandelion.
To bend the straight blades of grass, use Effect > Warp > Arc with 50% Bend.
Expand Appearance.
Step 7
Create a scene out of the objects we’ve made so far.
4. How to Draw the Butterfly
Step 1
Draw an element of the butterfly’s wing with mesh.
#E7A229
#000000
#FDF2DA
#FACB49
Step 2
Add another part.
#E7A229
#FBCB45
#000000
#7F490F
Step 3
Draw the final element.
#F7BE3D
#000000
#68380B
#D38F24
#5A2C09
#FCCF46
Step 4
Draw an outline of a butterfly’s wing, fill it with black, and then add the elements we just made.
Step 5
Draw another element for the wing.
#000000
#FFFFFF
#F6BCA5
#F9EBC9
Step 6
Create different variants by bending the original shape.
Step 7
Add the objects to the butterfly’s wing.
Step 8
Add a new copy of the wing.
Step 9
Begin drawing the body of the butterfly with legs and antennae.
Step 10
Draw the body.
#000000
#D4C3A7
#86773E
#554322
Step 11
Assemble the body.
Step 12
Complete the butterfly.
Step 13
Create a Blend shadow out of #293F06 and #FFFFFF. Set it to Multiply.
Step 14
Add a Gradient shadow from #94A163 to #FFFFFF, and set it to Multiply.
Step 15
Add the shadows under the bush and the butterfly next to it.
Then, draw an outline, “framing” the picture. Select everything and Make Clipping Mask.
Step 16
You’re finished!
Awesome Work, You’re Done!
Thank you for following along, and please feel welcome to post your result in the comments. I’ll be looking forward to seeing it!
In this tutorial, you learned how to create beautiful photo-realistic flowers using the Mesh Tool.
I hope you’ve enjoyed this tutorial and learned how to use some useful tools for the future! Check out some of my other vector tutorials on my instructor profile.
Looking for a summer fix? This pastel poster evokes long, hot days eating ice cream in the park. It’s also super simple to create in Adobe InDesign and is a great way of picking up some new techniques for creating print layouts.
Ready to bring the sunshine in? Let’s get started!
What You’ll Need to Create Your Poster
You’ll need access to Adobe InDesign to create the main layout of your poster. We’ll also dip into Adobe Illustrator to briefly edit some vector graphics. You can use alternative vector software, such as Inkscape or CorelDRAW, for this step.
You’ll also need to download the following image and font files from Elements:
Install the fonts on your computer, and you’re ready to start putting your poster together.
1. How to Create a Pastel Color Palette for Your Poster
Step 1
Open InDesign and go to File > New > Document.
Choose Print for the Intent from the top of the window, and select A3 for the Page Size. Add a Bleed of 5 mm to all edges of the document. Then click Create.
Step 2
Expand the Layers panel (Window > Layers), and double-click on the Layer 1 name. Rename it as Background and click OK.
Choose New Layer from the panel’s drop-down menu, at top-right, and name it Type.
Create two more new layers: Sparks and then Texture at the top of the sequence.
Then lock all layers except Background, which we’ll work on first.
Step 3
Expand the Swatches panel (Window > Color > Swatches), and choose New Color Swatch from the panel’s menu.
With the Color Type set to Process and Mode to CMYK, set the levels below to C=2 M=5 Y=29 K=0. Click Add and then OK.
Repeat the process to create a further six new CMYK swatches, with the following values:
C=29 M=49 Y=65 K=7
C=23 M=0 Y=25 K=0
C=0 M=40 Y=9 K=0
C=6 M=21 Y=14 K=0
C=7 M=0 Y=43 K=0
C=2 M=0 Y=3 K=0
2. How to Build Up Typography on Your Poster
Step 1
Take the Rectangle Tool (M) and drag across the whole page, extending it up to the edge of the bleed on all sides.
From the Swatches panel, set the Fill Color of the shape to your new pink swatch, C=0 M=40 Y=9 K=0.
Step 2
Lock the Background layer and unlock the Type layer above it.
Switch to the Line Tool (), and drag to create a shallow diagonal line across the top-right section of the page, as shown below.
Step 3
Select the Type on a Path Tool (Shift-T), and click once onto the left side of the line, to transform it into a text path.
Type in ‘Ice’. From either the top Controls panel or the Character panel (Window > Type & Tables > Character), set the Font to Author Type and the Font Size to around 260 pt.
Switch to the Selection Tool (V, Escape) to select the line, not the text sitting on it. From the Swatches panel, adjust the Stroke Color of the line to [None] to make it invisible.
Step 4
Select the line and Edit > Copy, Edit > Paste it, moving it below the first text line.
Edit the text to read ‘Cream’, and reduce the Font Size to around 210 pt. Maneuver the text line into a snug position below ‘Ice’.
Edit > Paste the text line again, adjusting the text to read ‘always’. Change the Font Size to 220 pt, and maneuver the line into position below ‘Cream’.
Paste in three more text lines, setting the first to read ‘good’, the second to ‘idea’, and the final one to an exclamation mark. Move them into roughly the same position as shown below.
Step 5
Paste another text line, moving it over to the left side of ‘always’. Type in ‘IS’ and set the Font to Burtons, 80 pt.
Copy and Paste this text line, moving the second to the left of ‘good’ and editing the text to ‘A’.
Step 6
Select the top text line, ‘Ice’, and click on the ‘T’ icon at the top-left corner of the Swatches panel, to be able to edit the Font Color.
Switch the Font Color to your brown swatch, C=29 M=49 Y=65 K=7.
Set ‘Cream’ in C=2 M=5 Y=29 K=0.
Apply C=23 M=0 Y=25 K=0 to ‘always’.
Set ‘good’ in C=2 M=5 Y=29 K=0, ‘idea’ in C=29 M=49 Y=65 K=7, and the exclamation mark in C=23 M=0 Y=25 K=0. Finally set ‘IS’ and ‘A’ in the palest new swatch, C=2 M=0 Y=3 K=0.
Step 7
Select all the text lines except the small ‘IS’ and ‘A’, and go to Object on the top main menu. Go to Effects > Drop Shadow.
Click on the colored square to the right of the Mode menu to open the Effect Color window. Choose the pink swatch, C=0 M=40 Y=9 K=0, and click OK.
Back in the Effects window, increase the Opacity of the shadow to 100%, Distance to 5 mm, Angle to around 140, Size to 1 mm, Spread to 100%, and Noise to about 30%.
Click OK to exit the window.
Step 8
Select the two small text lines containing ‘IS’ and ‘A’, and go to Effects > Drop Shadow, as before.
Repeat the same settings as before (Opacity 100%, Distance 5 mm, Angle 140, Size 1 mm, Spread 100% and Noise 30%), but this time choose your yellow swatch, C=7 M=0 Y=43 K=0, for the Effect Color.
3. How to Add Framing Elements and Texture to Your Poster
Select the circular sparks illustration pictured below, and Edit > Copy it.
Minimize the Illustrator window and head back to your InDesign document.
Step 2
Lock the Type layer and unlock the Sparks layer.
Edit > Paste the sparks vector directly onto the layer. Then Right-Click > Ungroup the vector.
Step 3
Delete about two-thirds of the vector shape, and move the remaining third into position to the right of the ‘e’ in ‘Ice’.
Copy and Paste this shape, and move the second over the top of ‘C’.
Paste two more shapes, moving one next to the ‘i’ in ‘idea’ and the second to the bottom-right of the exclamation mark.
Step 4
Adjust the Fill Color of the top shape to C=29 M=49 Y=65 K=7, to match the brown color of ‘Ice’.
Then adjust the colors of the other shapes to match the letters they are nearest to.
Step 5
Lock the Sparks layer and unlock the top layer, Texture.
Use the Rectangle Frame Tool (F) to create an image frame across the whole page. Go to File > Place, and navigate to the vintage grit textures images you downloaded earlier.
Go into the PNG folder and choose the second texture, ‘Grit02-byGhostlyPixels.png’, before clicking Open, and allowing it to fill the image frame.
Step 6
With the image frame selected, go to Object > Effects > Transparency. Choose Screen for the Mode, and bring the Opacity down to 70%.
Click OK to exit the window.
4. How to Export Your Poster
Your poster is finished—great job! If you want to share your poster online, you can simply go to File > Export and choose JPEG or PNG from the Format menu.
If you want to get your poster printed professionally, read on to find out how to make a press-ready file.
Step 1
Go to File > Export. Choose Adobe PDF (Print) from the Format menu, name the file and click Save.
In the Export Adobe PDF window that opens, choose [Press Quality] from the Adobe PDF Preset menu at the top.
Step 2
Click on Marks and Bleeds in the window’s left-hand menu. Check both All Printer’s Marks and Use Document Bleed Settings, before clicking Export.
And there we have it! Your poster is exported, and this PDF file is ready for sending straight off to be printed.
Conclusion: Your Finished Ice-Cream Poster
Your poster is finished—great job!
In this tutorial, we’ve covered several techniques for creating print designs in InDesign, including how to set up a flyer layout and format typography. We’ve also looked at how to use fonts, textures, and colors to bring a vintage, mid-century vibe to your design.
“Eid al-Fitr”, which is often shortened to “Eid”, is the “festival of breaking fast”. It is a religious holiday celebrated by Muslims across the world, to mark the end of the month-long fasting of Ramadan.
Traditionally, Eid is the celebrated for three days, just as the first sighting of the crescent moon is spotted by the end of the Ramadan lunar month.
To celebrate, Muslims gather in the morning at the mosque to perform their Eid prayer, and then visit friends and family, have a feast, and enjoy loads of sweets to mark the end of the fasting. The celebrations are also a time of forgiveness, giving thanks to
Allah, and offering donations and food to those less fortunate.
The most popular Arabic greeting during this holiday is usually “Eid Mubarak”, which is translated in English to “blessed festival”.
In this tutorial, we’ll go through the process of creating an Arabesque Eid greeting card. We’ll be using basic shapes to design an Islamic art pattern, and will learn to tailor a font in Arabic for “Eid Mubarak”.
If you’re looking for inspiration, why not check out the many Eid designs over on Envato Market.
1. Create a New Document & Set Up
To design our greeting card, we need to have basic knowledge of Islamic art. The general construction method of any Arabesque pattern is more or less intertwined geometric shapes like hexagons, squares, octagons, triangles, stars, and circles. Creating a pattern tile is quite an interesting challenge, so as a beginner, keep it as simple as possible, and work with a grid.
I sketched out roughly the idea for the card design and a sample of the tile design I want to recreate. It’s a combination of stars, a circle, and a hexagon. So let’s get started!
Open Adobe Illustrator CC, and hit Control-N to create a new document.
Select Profile: Basic RGB.
In the Units drop-down menu, select Millimeters and enter 250 mm for Width and Height, and Name your file “Eid_Greeting“. Click OK.
Click on the Advanced button, make sure RGB, Screen (72ppi) is selected, and check Align New Objects to Pixel Grid. Click OK.
Once the file is open, View > Show Grid. Thenselect View > Snap to Grid.
The grid needs to be customized to the artboard, so we need to edit it. Go to Illustrator > Preferences > Guides & Grid and in the Gridline every box write 25 mm, and write 6 in the Subdivisions
box.
2. Pattern Design
Step 1
First let’s create the tile for our pattern, and then the rest is easy.
In my sketch I had two six-pointed stars in a circle and enclosed in a hexagon.
Select the Ellipse Tool (L) with Fill to None and black Stroke, hold down
the Optionand Shiftkeys, and drag to constrain your selection. Snap the ellipse to two square subdivisions of the grid. Each square division is 25 mm, so the diameter of your circle would be 50 mm. If you select Window > Info, you can view the exact dimensions of the Width & Height of your selection.
Step 2
Next we need to create the two six-pointed stars within the circle.
To make a 6-pointed
star, select the Star Tool, and click once in the center of the ellipse, to center the star and open the Stardialog box.
Make Radius 1: 25 mm (half the diameter of our ellipse), Radius 2: 8mm, and Points: 6.
Go to Window > Stroke, to open the Stroke panel.
Select Cap: Round Cap and Corner: Round Join, so the pointy ends of the star do not exceed the ellipse border.
Next with the 6-point star selected, Copy (Command-C), Paste in Front (Command-F). Then Object > Transform > Rotate. The Rotate dialogue box
will appear; make Angle: 90 degrees.
With the Selection Tool (V), select the elements of the two six-point stars and the circle, and apply a 5 ptWeight to the Stroke, from the Stroke panel.
Then select the Cap: Butt Cap, Corner: Miter Join, and apply a Limit of 4x, so the corner edges are sharp for the inner dodecagon.
Step 3
Select the three objects with the Selection Tool (V).
Object > Expand. Make sure Fill and Stroke are checked, and OK.
Open the Pathfinder panel: Window > Pathfinder, and select Shape Modes: Unite, to create a compound shape.
Step 4
Select the Rectangle Tool (M) with a white Fill and black Stroke, hold down
the Altand Shiftkeys to constrain the selection, and draw a rectangle around the circular pattern.
Next, with the Selection Tool (V), drag over both objects to select them, and click on Pathfinders: Divide.
Take the Direct Selection Tool (A), and select the outer excess shape, then Delete.
Then with the Selection Tool (V), select our object and Object > Ungroup (Shift-Command-G), so we can color each element separately.
Step 5
Let’s color our tile pattern.
With the Direct Selection Tool (A), select the elements in the pattern you want in the same color group.
Apply a Fill color of your choice, with Stroke to None. Then group the same color fill elements together. Object > Group (Command-G).
Do the same with the rest of the elements.
Make sure that each element is grouped to its corresponding color choice, and with Stroke to None.
Step 6
Select all the elements with the Selection Tool (V), and then Object > Pattern > Make. Our new pattern will automatically appear, but it needs to be editedin the Pattern Options dialog box.
Choose how to lay out the tiles. Hex by Row will place the tile in a hexagonal shape and arrange it in rows. The tiles in the row will center in horizontal alignment, with the alternate rows vertically aligned.
Next, specify the overall height and width of the tile. Change the Width to 50 mm and Height 58 mm.
You will need to experiment with various values,
smaller or larger than the height and width of the artwork, to reach the pattern you desire.
Step 7
Next we need to fill the triangular space between the circular patterns.
Remove Snap to Grid so we can create a three point star in the empty triangular space. View > Snap to Grid (Command-Shift-”).
Next choose a color Fill and Stroke of 4 pt.
Select the Star Tool, and click once on the top left corner on the hexagon grid.
The Star dialog boxwill appear. Enter:
Radius 1: 4.5 mm
Radius 2: 1.2 mm
Points: 3
OK
Step 8
With the star selected, Object > Expand, with Object, Fill and Stroke selected, and click OK.
Select the Direct Selection Tool (A), and give the two elements each a different color. I kept the thick borders the same color tone.
With the Selection Tool (V), select the three-point star, hold down the Alt-Shift keys, and drag the object to the bottom left corner of the hexagon grid.
Object > Transform > Rotate, and the Rotate dialog box will open.
Make the Angle180 degrees, and align the center to the hexagon grid corner. Click OK.
Once you are done, click Done from the bar in the Control Panel to save the New Pattern.
Once a pattern is created, it is
stored in the Swatches panel.
If you wish to edit the New Pattern again, then open the Swatches panel: Window > Swatches, and double click the swatch pattern, to edit.
File > Save (Command-S) and OK.
Select the pattern tile object we created and delete it; we no longer need it.
Step 9
Once we’ve set up
our tile pattern, all we need to do is to fill our background.
Select the Rectangle tool (M), and with our New PatternFill draw a rectangle around the artboard.
Once you do that, take the Rectangle Tool (M), select a color Fill of your choice, and draw another rectangle around the artboard. Then Send to Back (Command-[), so it’s behind our pattern.
Step 10
Next let’s create the background area for our text. Pick the Star Tool from your toolbar, set a color fill, and click once the center of your artboard for the Star dialog box to open.
Set Radius 1: 106 mm
Radius 2: 95 mm
Points 12
OK.
Once you have set the background color and shape, Object > Path > Offset Path, and set it to -6mm, Joins: Miter, and OK.
Give the new shape a color, no fill, and set Stroke to 6 pt.
File > Save (Command-S) and OK.
Open the Layers panel (Window > Layers), and select the Create a New Layer icon to create a new layer for our text illustration.
3. Tailoring Arabic Type
The art of Arabic calligraphy is also known as Islamic calligraphy,
because it was first designed to be written for the Koran, which is the holy book of
Islam. Calligraphy differs from handwriting, as it serves the purpose of being both aesthetic and functional. Writing, on the other hand, is primarily used to communicate.
There are many different styles of Arabic calligraphy, and each script has its own distinctive shape and characteristics. We won’t be going through the different style types, but if you have an interest in letters and patterns, then you can benefit on your own from these Arabic calligraphy tutorials, aimed at beginners.
Before we start working on tailoring our Arabic text, here’s a brief introduction to the basics of proper calligraphy:
Arabic is written from right to left, and in cursive nature.
There are no capital letter forms.
All letters connect together on the right, but not all letters connect to the left.
When writing Arabic words, you should be familiar with the basic behavior of each letter. Basically, all letters are written on the baseline, and some are ascending while others fall below the baseline.
Google translated the words for our greeting “Eid Mubarak”. You will see how it’s written in Arabic, as: عيد مبارك.
To familiarize your eye with its various forms, I’ve sketched it on a baseline for you, so you can see which letters ascend and descend. Plus a round form of lettering is used, so it’s easier to mimic.
Step 1
Let’s start creating our letter form by determining the baseline, ascending and descending heights.
Select the Ellipse Tool (L). With a white stroke of 7 pt, and fill to none, click once to open the Ellipse dialog box.
Set Width and Height at 31 mm, and OK. This will be our baseline height.
Then select the Round Rectangle Tool, from the Tools bar, and click once on the artboard to get the Rounded Rectangle dialog box.
Set Width: 31mm (same diameter as the ellipse created)
Height: 60 mm (half the diameter of the ellipse added over and under)
Corner Radius: 16mm (for a nice round curve)
OK.
Select both objects with the Selection Tool (V).
Open the Align panel (Window > Align), and Horizontal Align Center and Vertical Align Center.
Step 2
Change the View to Outline Mode (View > Outline).
With the two objects selected, hold down the Shift–Alt keys and drag, to duplicate the object, and move it towards the left to align with the left borderline.
The Command-D shortcut will repeat the last action. Repeat four times, until six object groups are aligned.
Use the Command-Y shortcut to switch the view to Preview.
Select all objects with the Selection Tool (V), and with Shift-Alt held down, scale them down to fit our hexagon background.
Then Shift-Alt-Drag down to Duplicate and create the second row.
Next let’s bring out our Ruler through the shortcut Command-R, so we can put in our text guidelines.
To make sure the guides will be locked, select View > Guides > Lock Guides.
Drag the guides to create the baseline, ascending and descending height levels.
Step 3
“Eid” (عيد) is made up of three letters, but they are all on the baseline.
So Delete the left and right objects in the first row, plus the ascending three rounded rectangles.
Next, move on to cut the letter shapes. Following the Arabic type sketch, use the Scissors Tool (C) from the Tools bar to cut the points on the ellipses, and then delete the excess.
Next, let’s tailor the word “Mubarak” (مبارك). There are two ascending letters and one descending. Select the objects that we don’t need, and delete, then use the Scissors Tool (C) to cut the letters, according to the sketched illustration.
Step 4
Select the end points of the ascending letters, with the DirectSelection Tool (A), and hold down the Shift key to constrain the selection as you move the ascending height guideline upwards.
Then use the Selection Tool (V), holding Shift down, to distribute the letters closer together.
Once you are done, let’s dot and add signs to our letters.
Step 5
Select the Ellipse Tool (L) and open the Ellipse dialog box, by clicking once on the artboard.
Create a 6 mm Width & Height ellipse.
There will be two dots below the baseline in the middle letter of “Eid” (عيد).
So make sure you have two aligned ellipses created.
Plus, there is another dot to add, below the second letter of “Mubarak” (مبارك). So create another ellipse for it.
Step 6
The last letter (Kaph ك ) in “Mubarak” (مبارك), has the “hamzah” (ء) symbol which we need to recreate. It looks an elongated letter “c” but with a tail.
From the tools bar, select the Rounded Rectangle Tool. With a white stroke of 7 pt, and fill to none, create a rounded rectangle with 17 mm Width, 13 mm Height, and Corner Radius 16 mm.
Use the Scissors Tool (C) from the Tools bar, to cut it into a “C” form. Delete the excess.
Then select the Pen Tool (P) and select the joint to draw a tail.
File > Save (Command-S) and OK.
4. Adding Details
Step 1
Great, we are almost done.
Hide the guidelines, as we no longer need them. View > Guides > Hide Guides (Command-;).
Command-A, to SelectAll objects on the text layer, then align them correctly into the hexagon.
Then with the Selection Tool (V), select the elements with a white stroke, and thicken the stroke to 9 pt.
Object > Expand with Fill and Stroke checked, and OK.
Command-A, to SelectAll, and give them a Fill color of your choice with Stroke to none.
Step 2
Let’s finish it off with stars and a moon.
With the Ellipse Tool (L), and yellow fill, draw a freehand ellipse.
Then freedraw another ellipse over it, towards the inside of the first ellipse, so that the below ellipse would start to look like a crescent.
Let’s cut out our crescent.
Open Window > Pathfinder.
In Pathfinder > Shape Modes, select Minus Front.
Now, you should have a crescent moon!
Finally, take the Star Tool from the Tools bar, select a color tone Fill, and randomly fill the space around the text with little stars.
File > Save (Command-S) and OK.
Eid Mubarak!!
I hope you enjoyed learning
the process of creating an Arabesque pattern and gained a few useful shortcuts to tailor a rounded Arabic font, as well as having been inspired to create your own colorful Eid greeting card for the
celebration of Eid Al-Fitr.
Have fun creating, and always feel free to share how
your Eid greeting turned out.
Leave any questions you may have in the comments section below.
‘Hatta‘ is the name of the traditional square scarf that Middle Eastern men wear as a headdress.
It’s a white cotton cloth, designed in checkered patterns and traditionally worn for protection against the sun, sand, and cold nights. Depending on which part of the Arab world you are in, it is also known as kiffiyeh, ghutrah, shemagh, or mashadah. The name, design, color, and style of dress vary by the region and its people.
In Jordan, the hatta headcloth colors are red and white—a marker associated with the country’s heritage, and typically worn as an Arab nationalist symbol. For your brief knowledge, Jordan is officially known as the ‘Hashemite Kingdom of Jordan’. The colors used on the checkered hatta design were historically adopted from both the red Hashemite Flag and the Arab Revolt Flag, thus making it a symbol of Jordan.
In the Western world, the scarf designis commonly worn in black/white or red/white colors, and it’s no more than a fashion accessory or clothing trend. Other countries that have adopted the red-white keffiyeh colors are Iraq, Saudi Arabia, and Syria.
In today’s Adobe Illustrator tutorial, we will cover the steps to creating the red-white hatta scarf pattern design and applying it to the title “JORDAN”.
If you would like to purchase some Arab pattern designs and artwork, just head over to GraphicRiver or check out my other tutorials on Envato Tuts+.
Let’s start pattern making!!
What You’ll Need
You will need the following font in order to complete this project:
Robinson Regular. If you wish to use a similar font, you could still achieve a similar end result.
1.How to Design the Checkered Pattern Design
Step 1
A hatta design is composed of three different pattern designs: Checker, Wave, and Diagonal.
Before we start, create a New Document (Command-N) of banner size 851 x 315 px, Landscape orientation, and RGB color mode.
Step 2
Let’s start by designing the Checker pattern.
Begin by drawing two rectangles. Select the Rectangle Tool (M). Draw a 6 x 18 px red #d32127 rectangle, and another rectangle of dimensions 8 x 16 px.
Open the Properties panel (Window > Properties) to quickly access settings, controls, editing options, and alignment.
Take the Selection Tool (V), select both rectangles, and apply a Horizontal and Vertical Align Center action to the two. Command-G to Group.
Step 3
Switch to the Direct Selection Tool (A) to automatically view all the Live Corner widgets that appear next to each corner point. Click the Corners link in the Control panel (Window > Control), and set the Radius to 2 px.
Step 4
Next, with the Rectangle Tool (M), using the same red fill of #d32127, draw one 2.3 x 25.6 px vertical rectangle and a horizontal rectangle of 14.6 x 2.3 px.
Select all the rectangles with the Selection Tool (V). Apply the Horizontal and Vertical Align Center actions, from the Properties panel, to align them vertically and horizontally.
Step 5
Select the rounded rectangle group. Then Copy (Command-C) and Paste in Front (Command-F).
Object > Transform > Rotate the group 90°. Then select the vertical rectangle bar, and Copy (Command-C) and Paste in Front (Command-F).
Then select the horizontal rounded group plus thevertical rectangle bar. Hold down the Shift key to constrain the motion, and drag the objects to the edge of the horizontal bar, as shown.
Step 6
Select all the shapes. Object > Pattern > Make. The Pattern Options dialog box will open. Apply the following settings:
Name: Checker
Tile Type: Brick by Row
Brick Offset: 1/2
Unlink theWidth and Height link
Height: 21 px
Copies: 7 x 7
Once the pattern is created, you can delete the shapes, as now the Checker pattern will appear in the Swatches panel (Window > Swatches).
Our first pattern is ready.
2.How to Create the Wave Pattern Design
Step 1
Select the Ellipse Tool (L) and draw a 5 x 11.5 px red ellipse #d32127.
Select the Anchor Point Tool (Shift-C), and taper the top and bottom anchor points of the ellipse. Then from the Properties panel, apply a Rotate of -45° to the shape.
Step 2
Turn on your Smart Guides (Command-U). These snap‑to guides will appear when you move objects around, and they will help guide you in aligning things accurately.
From the Tools menu, select the Rounded Rectangle Tool, under the Rectangle Tool. Tap once on the artboard to open the Rounded Rectangle dialog box and choose the following settings:
Width: 1.2 px
Height: 2 px
Corner Radius: 0.7 px
OK
Then use the Selection Tool (V), and with help of the Smart Guides, position the rounded rectangle on top of the tapered ellipse as seen below.
Step 3
Select the leaf shape and the rounded rectangle, and Copy (Command-C) and Paste in Front (Command-F).
Take the Reflect Tool (O) and set the blue center reference point at the end of the base of the leaf, as seen in the image. Hold down Option-Shift and drag and release when the selection is mirrored across.
Step 4
A time-savvy shortcut to learn in Adobe Illustrator is the Drag-Drop action instead of the Copy-Paste action.
We need to duplicate the rounded rectangle shape, to position it on the base of the two leaf objects. Select the rounded rectangle, hold the Option-Alt keys, and drag the object with the SelectionTool (V) to the base of the leaves. This will create a duplicate.
Step 5
Select all the shapes, and then click the Unite action from the Pathfinder in the Properties panel.
Step 6
Object > Pattern > Make to open the Pattern Options dialog box.
Name: Wave
Tile Type: Grid
Unlink Width and Height
Width: 14.15 px (adjust the width so the tops of the rounded rectangles overlap at the intersection).
Copies: 7 x 7
We are ready with the second pattern. It should appear in the Swatches panel afterwards.
3.How to Set Up the Diagonal Pattern Design
The third pattern, the Diagonal, is the easiest to set up. We just need to create a vertical rectangle pattern that we will transform later on.
Take the Rectangle Tool (M), and create a red fill #d32127 rectangle about 2 x 5 px.
Object > Pattern > Make to open the Pattern Options dialog box.
Name: Diagonal
Tile Type: Grid
Unlink Width and Height
Width: 3 px
Height: 5 px (approx)
Copies: 7 x 7
And our third pattern is ready!
4. How to Design the “Jordan” Title
Step 1
Open the Character panel (Window > Type > Character or Command-T). Select the Type Tool from the Tools panel. Select the Robinson Regular font family (a font found on Envato Elements) from the Character panel.
Set Font Size to 400 pt, with Tracking set at 25 pt, type in “JORDA”, and leave the N out. We will design a scarf in the form of the ‘N’.
Object > Expand. Make sure to check Object and Fill, then OK, so the type turns into individual shapes.
Step 2
The Jordan flag has a small, white, seven-pointed star, so we will create a star in front of the type to represent the flag.
Select the Star Tool, from the Rectangle Tool drop-down options in the Tools panel.
Tap once on the artboard for the Star dialog box, and set:
Radius 1: 26 px
Radius 2: 14 px
Points: 7
Ok
Step 3
Let’s create the N for ‘Jordan’.
Select the Rectangle Tool (M), and with help of Smart Guides, draw a vertical bar that is the same thickness and height as the type lettering:
Width: 34.96 px
Height: 279.297 px
Step 4
Object > Path > Add Anchor Points to the rectangle. This will add anchor points in between the other anchor points.
Take the Direct Selection Tool (A), and select the base left and right anchor points and drag them upwards by about -35 px.
Select the top left anchor point and drag it down by about 35 px.
Step 5
Delete the top middle anchor point on the rectangle, using the Delete Anchor Point Tool (–).
Then select the Reflect Tool (O) and set the blue center reference point at the right of the shape as shown below. Option-Shift-Drag and release to mirror.
Afterwards, use the Rectangle Tool (M), and with the assistance of Smart Guides, draw a connecting rectangle with approximately the same pixel height of our letter shape width, at 37.86 px.
Step 6
Now let’s round the edges of our scarf ‘N’ slightly to fit the style of the text.
Take the Direct Selection Tool (A) and select the anchor points that are not touching the middle intersection.
In the Corners option of the Control panel, set the Radius to 1 px.
Step 7
Select all the ‘N’ shapes, with the Selection Tool (V). Use the Left Arrow key to visually align the distance from the between the ‘A’ and ‘N’.
Next, select the ‘JORDA’ shapes, plus the two legs of the ‘N’. Then open the Pathfinder panel (Window > Pathfinder).
From the option menu, select Make Compound Shape. This will combine all the shapes into one compound shape.
Step 8
Now let’s lay out our pattern, beginning with the Checker pattern.
Shift-D to switch Drawing Mode Normal to Drawing Mode Behind. Select the Checker pattern from the Swatches panel. Then, with the Rectangle Tool (M), draw an 810 x 135 px rectangle, with the help of the Properties panel and Smart Guides.
The pattern will appear straight, so we need to slant it. Object > Transform > Scale… to open the Scale dialog box. Make sure Transform Patterns is checked, and apply a 60% Uniform scale.
Then you need to rotate the pattern. Object > Transform > Rotate… opens the Rotate dialog box. Set the rotation to 45°, and click OK.
Our Checker pattern is set.
Step 9
Move on to designing the Diagonal stripes.
Select the Diagonalpattern from the Swatches panel. Draw three rectangle bars, with the Rectangle Tool (M), using the following settings:
Bar 1: 810 x 4 px
Bar 2: 810 x 11 px
Bar 3: 810 x 4 px
You will realise the transform settings we applied to the Checker pattern continue to apply to the Diagonal, so we don’t need to set them again.
Step 10
Group the three Diagonal bars (Command-G).
We need to duplicate the group, so apply the Drag-Drop action. Select the Diagonal bars group, hold the Option-Alt keys, and drag the group with the SelectionTool (V) to the edge of the ‘J’.
Step 11
Now, let’s add the Wave pattern.
Select the Wavepattern from the Swatches panel, and use the Rectangle Tool (M) to draw an 810 x 46 px rectangle.
The transform settings applied to the first pattern will remain, so you need to modify them. Select the Wavepattern from the Swatches panel to reset it. Object > Transform > Scale… to open the Scale dialog box. Make sure Transform Patterns is checked, and apply a Uniform scale of 60% and click OK.
Step 12
Now, the Wave pattern needs a little adjusting so it lies properly in the design.
To edit, double-click the pattern from the Swatches panel. In the Pattern Options dialog box, UnlinkWidth and Height. Then adjust the Height to about 12 px, so there is spacing between the top and bottom copies.
Step 13
You will need to transform the pattern within the shape without moving the object, so select the rectangle with the Wave pattern fill.
Then hold down the Grave Accent (´) key while dragging, and adjust it accordingly.
Step 14
For the base part of the pattern effect, draw a red fill (#d32127) rectangle at 810 x 40 px.
Step 15
Group all the patterns together (Command-G). Then, with the Selection Tool (V), select both the ‘JORDA’ shape and the grouped pattern, and create a clipping mask with Object > Clipping Mask (Command-7).
5. How to Finalise the Design
Step 1
Select the seven-pointed star shape, and use the Eyedropper Tool (I) to apply the same pattern on the Diagonal bars.
Let’s scale the Diagonal pattern in the design, so it will look more harmonious to the design. Select > Same > Fill Color, to select all the diagonal patterns. Object > Transform > Scale… to open the Scale dialog box. Set the Uniform scale at 150%, and click OK.
Step 2
The Checker pattern aligns right to left, so let’s reflect the Diagonal pattern to flow in the same direction. Object > Transform > Reflect. Check Transform Patterns, set the reflection Angle to 0°, and click OK.
Step 3
Some patterns might need a slight alignment.
Go ahead and select the ones you want to adjust, hold down the Grave Accent (´) key, and drag them to align neatly.
Then select the ‘N’ connecting rectangle, and use the Eyedropper Tool (I) to apply the same Checker pattern on the lettering.
Step 4
Let’s add small seven-pointed stars at the center of the triangular bases of the ‘N’.
Shift-D to shift back to Normal Drawing Mode. Select the Star Tool from the Tools panel. With a white Fill and null Stroke, draw a seven-pointed star about 8 x 8 px.
Then, with the star still selected, apply Drag-Drop by holding down the Option-Alt keys and dragging the star object with the SelectionTool (V) to the other triangular end, as shown below.
Step 5
To create the scarf effect, we need to create a shadow effect on the folds.
Take the Pen Tool (P) and, with a red fill (#DB9C9C), draw a triangular shape on the edges of the connecting ‘ N’ rectangle, as seen in the image.
Hold down the Shift key to constrain the lines. Use the Smart Guides to draw similar width triangles, on both ends.
Step 6
Open the Transparency panel (Window > Transparency). Select both triangles, and set their Blending Mode to Multiply.
Step 7
Pay attention to detail. Take the time at the end to tweak the patterns and shapes so that everything is perfectly put together.
To finalize the banner, add a white background.
Congratulations!
Your Middle Eastern “Jordan” hatta banner is done!
See, that was easy to create. Use your imagination and just be creative.
I hope that you found some useful tools, tips, and tricks and that you enjoyed this tutorial! See you next time.
Welcome to our Illustrator in 60 Seconds series, in which you can learn an Illustrator skill, feature, or technique in just a minute!
How to Use Compound Shapes
Always wondered what a compound shape is, but never had the courage to try it out? Well, if that’s the case, check out our quick video and follow the provided steps and you’ll be mastering them in no time!
Compound Shapes
If you’ve ever played with Pathfinder’s Unite Shape Mode, you probably know you can easily unite two or
multiple objects into a single larger shape.
A compound shape allows you to achieve the same result, but in a more
versatile manner, since it lets you select any composing object using either the Direct Selection Tool (A) or the Layers panel, and then edit its
position, size, and shape at any point in time.
You can easily create a
compound shape by selecting the desired objects and then heading over to Pathfinder’s advanced menu and hitting Make Compound Shape, or by using UniteShape Mode while holding down
the Alt key.
As you can see, the
resulting path will take on the color of the topmost object, but since it
behaves as a live effect, you can
easily change its color or even apply different visual effects such as
textures or gradients, and they will seamlessly transition from one composing shape
to another.
If needed, you can easily
return a compound shape to its original components by selecting it and
then heading to Pathfinder’s advanced menu and hitting Release Compound Shape.
Learn More With Our Awesome Tutorials!
Looking to expand your bag of Adobe Illustrator skills? Start right now by checking out these in-depth tutorials that will help you bring your art to the next level!
Ever wondered what a Compound Path is, or how exactly you should use one? Well if that’s the case, give this short video a go and you’ll be mastering them in…
As a beginner, creating digital artwork intended for web use can sometimes get a bit frustrating, especially when you put a lot of time into a piece (be it…
Creating shapes in Illustrator can sometimes become an unintuitive process, especially if you’re doing it using Pathfinder’s Shape Modes. Luckily for us,…
Need Awesome Resources? We’ve Got You Covered!
Whether you’re looking for brushes, textures, or any other creative resource, we’ve put together an amazing library that’s forever increasing, which you can check out by heading over to Envato Elements.
In this tutorial, you will learn how to create a summer vacation illustration in Adobe Illustrator. To be more exact, we will create an image of a woman sitting on a bunch of suitcases. We will use basic shapes, warp effects, and the Scissors Tool to create our illustration. This tutorial is broken down into clear, simple steps, making it suitable for beginners.
If you love vacation and travel and want to find tons of amazing images online, then go to GraphicRiver. They have an amazing selection of images there, including some vacation ones.
So, let’s get started!
1. How to Create the Woman’s Head and Hat
Step 1
After opening your Adobe Illustrator, let’s start to create the woman, beginning with her head. Take the Ellipse Tool (L) and draw an ellipse that is almost a circle. Delete the stroke color if you have one, and set the fill color shown below.
Then we want to give her a smiley mouth, so draw an ellipse again and set a white fill color. Add a new ellipse overlapping this one—it should cover just the top part of the previous ellipse. In the image below, you can see how the shapes need to overlap each other. They’re marked with a black stroke, which you don’t actually need in your illustration.
Select the two white ellipses, go to the Pathfinder panel (Window > Pathfinder), and click on the Minus Front button. You’ll end up with a crescent shape, which is the smiley mouth!
Step 2
Sunglasses are a mandatory attribute of summer vacations, and we will start to create them by using the Rounded Rectangle Tool. Set a dark grey fill color and no stroke.
While keeping it selected, go to Effect > Warp > Bulge. A new dialogue window will pop up, where you want to enter the options presented below. Then press OK. The first lens of the sunglasses is ready.
Now we want to create another lens for the sunglasses. Select the first one and, while holding the Shift and Alt keys on your keyboard, move this shape to the right. Holding these two keys will help you to create a copy (Alt), which will be perfectly aligned horizontally (by the Shift button).
Now we want to create the bridge of the sunglasses. Press the Swap Fill and Stroke button on the Tools panel (Shift-X), and the fill color you had will transform into the stroke color. That’s exactly what we need. Hit the Arc Tool and draw a curve between the two glasses. Now the sunglasses are ready!
Give them to the woman, who looks more like an alien now!
Step 3
We will create the woman’s hair from a few parts. First, draw an ellipse using the Ellipse Tool (L). Be sure you delete the stroke color and set the necessary fill color.
While keeping it selected, go to Effect > Warp > Arc and in the new dialogue window enter the options shown below. Then, press OK.
Finally, expand this shape (Object > Expand Appearance). As we will rotate this shape later on, we must expand it first in order not to deform it.
Step 4
After this, place this shape on the woman’s head. Notice that it has to stay behind the glasses. After you’ve placed the left part of the hair on the woman’s face, select the glasses, cut (Control-X), and place them over the hair (Control-F).
So now we have the left part of the hair, and we want to create the right part. Select the left part and hit the Reflect Tool (O). Then, while keeping the Alt key pressed, click on the woman’s forehead. A new dialogue window will pop up, where you need to enter Axis Vertical, Angle 90 degrees, and then press Copy. You’ve just created a vertical copy of the left part to get the right part.
Finally, we want to create the hair at the back. Draw a darker ellipse behind the head using the Ellipse Tool (L). Remember, to place something behind everything, you need to cut it (Control-X), and then place it behind (Control-B).
The last effect we must apply to the back hair is the Inflate effect. While keeping the back hair selected, go to Effect > Warp > Inflate, and then enter the options shown in the image below.
Step 5
After that, we are going to create the hat. Using the Ellipse Tool (L), draw a red ellipse on the woman’s forehead. Warp it (Effect > Warp > Arc), and enter the options shown below.
Finally, add a big red ellipse behind everything. The hat is done!
2. How to Create the Woman’s Body
Step 1
Let’s start to create the body from a circle. It doesn’t have to be an even circle. While keeping it selected, go to Effect > Warp > Inflate, and enter the necessary options. You don’t need to expand this shape, but you can if you want to (Object > Expand Appearance). If you do not want to expand, it means you can edit the options later in the Appearance panel (Window > Appearance).
Finally, add the neck using the Rectangle Tool (M), by creating a small rectangle under the head. You don’t actually need the stroke that is shown below.
Step 2
To create the dress, we need a white fill color and the Rectangle Tool (M). The black stroke you see below is presented just for better visibility, and you don’t actually need it in your final illustration. So draw a rectangle and then apply the Bulge effect to this shape (Effect > Warp > Bulge).
Step 3
Place the upper part of the dress on the woman’s body.
To add the first strap, draw a small rectangle using the Rectangle Tool (M) with white fill color and no stroke. Place the strap on the left shoulder and rotate it a little bit to the left.
Select the left strap and hit the Reflect Tool (O). Then, while keeping the Alt key pressed, click just under the woman’s neck. A new dialogue window will pop up, where you need to enter Axis Vertical, Angle 90 degrees, and then press Copy. Remember that the stroke is there only for better visibility. Now she has two dress straps.
Step 4
Add a tiny ellipse where the hand should be. Then take the Direct Selection Tool (A), and select the top and bottom anchor points on the ellipse. Pressing the Up Arrow on your keyboard, move these anchor points up just a little. Remember, you don’t need the black stroke.
Now we want to create another hand. Hold down the Shift and Alt buttons together and move the hand to the right using the Selection Tool (V). You just created the hands!
Step 5
After that, we are going to create the bottom part of the woman. Draw an ellipse which should overlap the upper part of the dress.
Using the Direct Selection Tool (A), select its left and right anchor points and move them down using the Down Arrow on your keyboard.
Select all of the dress parts (the two straps, as well as the upper and bottom parts) together (you should hold the Shift button to select two or more objects). Go to the Pathfinder panel (Window > Pathfinder) and press the Unite button. Now you should have one shape instead of four.
Step 6
Let’s create the left leg. Draw an ellipse, place it where the leg starts, and then rotate it to the right.
Add a rectangle as shown in the image below. While keeping this rectangle selected, go to Effect > Warp > Arc Upper and enter the options shown below.
To finish off the leg, add four tiny ellipses as toes. And as before, make sure that you do not have the black stroke.
Step 7
Select the whole leg and group it (right-click > Group) so you can move it later on.
Then create a vertical copy of the left leg to get the right one. By using the Reflect Tool (O), you can do this. Now the woman is ready!
3. How to Create the Suitcases
Step 1
Let’s create the first suitcase. First, draw a light blue rectangle.
Create a copy of it in front and shrink it down from the top and bottom until you get a very thin rectangle. Set the fill color shown for the new thin rectangle.
Hit the Rounded Rectangle Tool and draw a tiny yellow rounded rectangle on the left side of the thin rectangle. Add one more rounded rectangle over it, which should be darker.
Select the two yellow rounded rectangles and, while holding the Shift and Alt buttons, move the rounded rectangles to the right.
Then, add two blue circles as shown in the image below. If you want to have an even circle, hold down the Shift key while creating it.
Step 2
Now we are going to create the handle of the suitcase. Delete the fill color and set the stroke color shown below. Draw a rounded rectangle.
Grab the Scissors Tool (C) and click on the marked places. You just cut off the upper part of the rounded rectangle. Delete the upper part because you don’t need it. This will be the handle.
Place the handle on the suitcase. Feel free to adjust the size of the handle.
Step 3
Place the woman on the first suitcase.
Step 4
Create another blue rectangle for the second suitcase. It has to be bigger than the first one.
Now you need to switch on the Smart Guides (View > Smart Guides). Set the yellow fill color shown below and hit the Ellipse Tool (L). After that, while holding down the Alt key, start to create a circle exactly on the corner of the rectangle. The Alt key will help you to draw it from the center of this circle, and the Smart Guides will help you to draw the circle exactly on the corner of the rectangle.
After you’ve created one circle, using the Selection Tool (L) and while holding down the Shift and Alt keys, move this circle to the right, on the right corner of the rectangle. Then, move them to the two bottom corners of the rectangle.
Now we will use the rectangle to cut off the unnecessary parts, which are the ones not touching the rectangle. So create a new copy of the rectangle in front (Control-C, Control-F). You now have two rectangles in front of each other, but we want the second rectangle to be in front of the circles. While keeping the second rectangle selected, cut it (Control-X), and place it in front of everything (Control-F). Select it with all four circles. While keeping the five shapes (rectangle and four circles) selected, press the Intersect button on the Pathfinder panel (Window > Pathfinder).
Step 5
Using the same technique as for the handle of the first suitcase, create another handle for the second one using the Scissors Tool (C). Note the color and shape difference.
Step 6
Make a thin, dark rectangle in front of the second suitcase as you did for the first one. Add two small yellow circles as shown below.
Delete the fill color and set a white stroke color. Take the Line Segment Tool (/) and draw two lines as shown in the image below.
Finally, place the handle you created for the second suitcase on it.
Add the second suitcase to the image.
Step 7
Before we start to create the third suitcase, let’s create one little detail: a keyhole. Start with a yellow rectangle. You can use the Eyedropper Tool (I) to take the yellow color you used before in this tutorial.
Add another rectangle at the bottom of the first one. Select the two of them and press the Unite button on the Pathfinder panel. You’ve got one shape from two.
After that, take the Delete Anchor Point Tool (-) and delete the anchor points marked in the image below. You’ve got a trapeze shape.
Add a circle on top of the previous shape. And the keyhole is done!
Step 8
Let’s start to create the third suitcase. Create two rectangles: one dark blue, and a second thin one in an even darker blue shade.
Add a rounded rectangle.
Add the keyhole on the rounded rectangle.
While holding down the Shift and Alt buttons, move the rounded rectangle and the keyhole to the right. Add two tiny circles for even more detail.
Create a copy of the previous handle and place it on the third suitcase. You do not need to change the color of this one. It’s done!
Place the third suitcase under the second one.
4. How to Create the Anchors and Background
Step 1
We are going to create the anchor. Delete the fill color and set the stroke color shown below. Draw a circle.
Add a vertical line using the Line Segment Tool (/). Add a small horizontal line to give your anchor more detail.
Make a copy of one of the previous suitcase handles and change its stroke color. Place it as shown below.
Step 2
Draw a square. Just as you used the Shift button to create an even circle, you need to use it while creating a square too.
Rotate it 45 degrees. While the square is selected, hit the Selection Tool (V) and, while holding down the Shift button, start to rotate. The Shift helps you to rotate it exactly 45 degrees.
Using the Scissors Tool (C), cut off the upper part of the square to get a v-shape.
Step 3
Place the v-shape on the bottom of the previously created shapes to get the anchor.
Make one more copy of the v-shape and place it as shown. Create another copy of the v-shape and place it on the other end, forming the anchor.
Step 4
Create a copy of the anchor and change its color to red.
Place the anchors on the suitcases.
Step 5
For the background, create a blue square with 850 px Width and Height, by using the Rectangle Tool (M). First, take the tool, and then click on your artboard and enter the necessary options.
Place the background behind (Control-X, Control-B) everything you created before, creating a summer-themed image.
Step 6
To make this image even more appealing and summery, you can add some tropical leaves, which you can learn how to create in one of my previous tutorials.
Congratulations on finishing this tutorial and creating an image. And again, for more inspiration, art, ideas, and much more, check out GraphicRiver. They really have a river of images! I’m sure yours is ready to be presented to all the people!
Hopefully you enjoyed this tutorial and learned something new. As you can see, it is very easy to create images in Adobe Illustrator.
Have you ever wondered what tools you can use to make lettering more attractive than it already is? The Blend Tool is easy to use, and you can quickly bring more life to script letters!
You’ll need access to Adobe Illustrator; if you don’t have the software you can download a trial from the Adobe website. You’ll also need the following:
1. Open the Line File Provided
Open the Adobe Illustrator line file. This file is already set up as a 1080 px x 1080 px document in RGB at 72ppi.
2. How to Create the Initial Stroke for the Lettering
Step 1
Head over to the toolbar and click on the Rectangle Tool. Click and hold to expand the options and select the Ellipse Tool (L). Hold Option-Shift to draw an even circle expanding from the centre; I am choosing a size of 64 px. This circle will dictate the size of the stroke.
Step 2
We want to add a gradient to the new shape we created. Select the shape and head over to the toolbar. Select the outline swatch and click on none. Select the Fill swatch and select Gradient.
Step 3
We want to give color to this gradient, so let’s open our Gradient panel by going to Window > Gradient. Select one side of the gradient slider and on the Color bar select the color you wish to use. Any color you would like to use is fine—just make sure one side of the slider is light and the other side is dark. This will give more dimension to the artwork. I am choosing blue, with the color code #3CD9FF for the left slider and #0000FF for the right slider.
Step 4
Let’s multiply the shape by pressing Option-Shift and dragging to the right. I am choosing a purple color for this other shape with the following codes: #FF9BFF and #7900FF.
3. How to Use the Blend Tool
Step 1
Select both shapes and select the Blend Tool (W). Click on the left point of both circles, starting with the blue and then the purple circle.
Step 2
Everybody will get something different, but we want to make a smooth transition. While selecting the shape, double click on the Blend Tool on thetoolbar to open the Blend Options window. Under Spacing, select SpecifiedDistance and check the Preview box. Change the SpecifiedDistance to 1 px to get a smooth transition. Click OK.
Step 3
Select the shape and select the line type. Head over to Object > Blend > Replace Spine. This option will substitute the stroke for the shape we just created while maintaining the two initial shapes we used at the beginning and end of the word. On the right side is a preview (Command-Y) of the elements.
Step 4
Using the Direct Selection Tool (A), we can duplicate a dot for the “i”. Select the circle on the right and press Command-C followed by Command-V and place the newly created circle over the “i”.
Step 5
Let’s add color to the background. Select the Rectangle Tool (M) and create a black square on the artboard. Press Shift-Command-[ to move the square to the back anddock the element by pressing Command-2.
Step 6
Let’s add some serif text to make the artwork look intricate. Using the Text Tool (T), click on the artboard and type “BYE”. I am choosing Playfair Display at 445 pt in white.
Step 7
While selecting the text element, press Shift-Command-O to create outlines on the text, followed by Shift-Command-G to ungroup the word.
4. How to Use the Eraser Tool
We want to create the illusion of the script element intertwining with the serif font. Let’s bring the B forward by selecting it and pressing Shift-Command-].
For the “Y”, we can create more dimension as we have the “h” going around the letter. Select the “Y” and press Shift-Command-V to duplicate the element in the same place. This will duplicate it over the script element. On the toolbar, select the Eraser Tool (Shift-E) and start brushing over the segments of the “Y” that you want to be in front. Make sure that the “Y” element you are selecting is the one in front. Try to follow the same outline of the script face to erase the rest of the letter.
The Eraser Tool erases elements that are being selected; if we are not selecting anything, the Eraser Tool will work the same way it works in Adobe Photoshop. I did the same with the “E” letter to look like below. It’s up to you to decide which parts you want to bring forward and to keep in the back!
Below you can see the left side has the letters over the script, and the shapes on the right side in yellow are the ones I used the Eraser Tool on.
5. How to Add Drop Shadow
Let’s give this artwork more dimension. Select the script element and head over to Effect > Stylize > Drop Shadow. Check the Preview box and use the following settings:
6. How to Save the File
To save the file, head over to File > Save As … to save the file as an Adobe Illustrator file. If you wish to save as a JPEG or other image file format, head over to File > Export andchoose the format. Feel free to check Use Artboards if you have placed elements outside of your artboard in the document. Click Export.
Congratulations! You’ve Finished This Tutorial!
In this tutorial, we’ve paired an easy-to-use tool with lettering to create an intertwined look. Today we’ve learned to:
Use the Blend Tool to create a gradient-style pen stroke.
Replace the spine of an object with a blended element.
Add shadow to create a sense of dimension in the artwork.
Welcome to our Illustrator in 60 Seconds series, in which you can learn an Illustrator skill, feature, or technique in just a minute!
Illustrator in 60 Seconds: How to Create a Custom Stipple Brush
Always wanted to create your very own Stipple brush, but never knew exactly how?
Well, if that’s the case, take a look at the entire process in the video below, and use the written steps if you get lost.
Also, don’t forget you can expand your library by heading over to Envato Elements where you’ll find a great selection of hand-picked brushes.
How to Create a Custom Stipple Brush
Start by setting up a 200 x 200 px document, in the center of
which we will position a 128 x 128 px circle that we’re going to convert into a custom guide and then use to position our
brush’s composing shapes.
Using the Blob Brush Tool (Shift-B), create a
couple of different sized circles, making sure to position the larger ones
towards the inside.
Once you’re done, open up
the Brushes panel and, with all the
shapes selected, click on New Brush, making
sure to set the brush type to Scatter.
As soon
as the Brush Options window appears,
start adjusting the brush by setting its Size to Pressure and then lowering
its minimum value to just 28%.
Next,
lower the Spacing to 40%, setting the Rotation to Random and
giving it a 60º angle, making sure to
set the ColorizationMethod to Tints so that you can change its color when you need to.
Once you’re done, simply hit OK and you should now
have a custom stipple brush that you can use in any future project.
Learn More With Our Awesome Tutorials!
Want to expand your Illustrator skills? Start now by checking out these in-depth tutorials that will help you bring your art to the next level!
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Illustrator in 60 Seconds: The Perspective Grid
Always wanted to use the Perspective Grid but never knew how? If that’s the case then you should definitely check out the video and quick steps which will help you understand all its basic features.
By default, the tool can be
accessed from the left toolbar or by using the Shift-P keyboard shortcut. It comes preset to a two-point perspective, which can easily be changed by heading over to View > Perspective Grid and
choosing from its three available options.
Depending
on what you are trying to achieve, you can easily adjust the grid using its
different points and handles.
For example, you can adjust the position of its two vanishing points by selecting the outer
circles and moving them closer or further away from the center of the grid.
You can control the Vertical Grid Extent and the position
of the Horizon Level using the outer
diamond-shaped handles.
The center diamond lets you
adjust the size of the Grid Cells,
while the inner side ones let you adjust the Extent of the grid on the planes.
No matter the tools you
use, the shapes that you create will automatically snap to the GridPlane, which is currently set as active within the Plane Switching Widget. You can
change that by simply clicking on the different sides of the little cube.
That’s it! As long as you play with these settings, you’ll be able to create interesting compositions using any of the three perspectives.
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60 Seconds?!
This is part of a series of quick video tutorials on Envato Tuts+ in which we introduce a range of subjects, all in 60 seconds—just enough to whet your appetite. Let us know in the comments what you thought of this video and what else you’d like to see explained in 60 seconds!