Illustrator in 60 Seconds: The Asset Export Panel

Final product image
What You’ll Be Creating

Welcome to our Illustrator in 60 Seconds series, in which you can learn an Illustrator skill, feature, or technique in just a minute!


Illustrator in 60 Seconds: The Asset Export Panel

The process of exporting multiple assets from Illustrator at the same time used to be a tedious task, but luckily for us Adobe has added a new tool that changes everything for the better.

If you want to learn more then you should definitely check out this short video, which comes with a couple of steps to help you.

The Asset Export Panel

Back in
the day, the process of exporting multiple assets at the same time used to be
really clunky, but luckily for us Adobe has introduced a new tool that allows you to
save as many items as you want, using just a couple of clicks.

By default, the tool is hidden, but you can find it underneath the Window menu, or within the Layers
and Artboards group if you’re using the
Essentials Classic workspace.

asset export panel location

You start by selecting and then dragging the desired items within the
panel, which treats each group as its own asset.

adding the assets to the export panel

Moving on, you have your Export Settings, which allow you to generate not one but multiple
scales to which you can assign a custom suffix, and then choose from eight different file formats that can be individually set for each and every one of
them.

export settings preview

If you’re designing for iOS or Android you have a
set of dedicated buttons that will create all the required size variations, to
which you can add new ones or even remove those that are unnecessary.

example of using the android preset

Once you’re ready, all you have to do is press
the Export button, which will ask you
for a location to save the generated files.

example of exporting the selected assets

Learn More With Our Awesome Tutorials!

Looking to expand your bag of Adobe Illustrator skills? Start right now by checking out these in-depth tutorials that will help you bring your art to the next level!

  • Today I have something special prepared for you. We are going to compare two essential Illustrator tools, the Layers panel and the Artboards one, and talk…

  • Today we’re going to take a look at the different ways of exporting icons using a tool that is often feared, but will take your productivity to another level…

  • As a beginner, creating digital artwork intended for web use can sometimes get a bit frustrating, especially when you put a lot of time into a piece (be it…

Need Awesome Resources? We’ve Got You Covered!

Whether you’re looking for brushestextures or any other creative resource, we’ve put together an amazing library that’s forever increasing, which you can check out by heading over to Envato Elements.

That being said, I’ll see you in the next one!

How to Draw a Nature Scene With Dandelions and a Butterfly in Adobe Illustrator

Final product image
What You’ll Be Creating

In this tutorial, you will learn how to use the Mesh Tool in Adobe Illustrator to create a beautiful natural scene!

If you want to skip the tutorial and just use these flowers in your work, you can purchase the Nature Summer Background With Daisy Flower from GraphicRiver!

Nature Summer Background with Daisy Flower
Nature Summer Background With Daisy Flower

1. How to Draw the Side-View Dandelion

Step 1

Let’s begin using the Mesh Tool (U) by drawing the first petal!

Grab a rectangle, filling it with #FAF128. Next, use the Mesh Tool to create a Mesh grid inside the object by clicking on the preferred spots.

After you’ve created six rows and four columns of Mesh, use the Mesh Tool to round the object into a petal by dragging its edges and nodes. Use the screenshot below for reference.

Once you’ve done that, it’s time to color! Select the whole left edge of the object and color it with #B67810, and then color the second column from the left with #D7BE1B.

use mesh to draw petal

Step 2

Continue coloring the object as shown in the screenshot below. You will need these colors:

  1. #FFFF2C
  2. #E2CA1F
  3. #D0B018
gradient mesh

Step 3

You’ve finished the first petal! Now, create petal number 2 by simply stretching a copy of the first object.

draw dandelion

Step 4

Create petal number 3 by stretching another copy of the first petal.

The third petal should be longer and thinner than the second one.

how to draw dandelion

Step 5

For the fourth petal, make a copy that’s shorter and a bit thicker.

dandelion petal

Step 6

Grab a copy of petal number 4, stretch it a bit, and color a few nodes in its base with #B57510.

mesh flower petal

Step 7

For number 6, slightly recolor a copy of the first petal using Edit > Edit Colors > Adjust Colors. Apply -5% Green.

edit colors

Step 8

Assemble the flower out of the petals you made.

assemble vector flower

Step 9

Let’s create more petals! Make a bigger copy of petal 4.

dandelion vector petal

Step 10

Stretch number 1.

how to draw dandelion in illustrator

Step 11

Enlarge number 4, and then color its left edge with #B57510.

how to use gradient mesh

Step 12

Begin creating the 10th petal with mesh.

  1. #EFE124
  2. #FFF92A
  3. #C8BE1B
mesh petal

Step 13

  1. #D3B119
  2. #B57510

Finish the 10th petal.

gradient mesh adobe illustrator

Step 14

Create petal 11 by recoloring one node to #B57510.

change mesh petal

Step 15

Draw the 12th petal.

  1. #EFE124
  2. #DBBF26
  3. #BB8113
dandelion flower petal vector

Step 16

  1. #D0BD26
  2. #FFF934
  3. #E2CF2A
gradient mesh vector

Step 17

Assemble the lower part of the flower.

dandelion vector flower in adobe illustrator

Step 18

Create an object by applying a stroke to a curved line, creating a reflected copy of it, expanding both objects’ appearance, and then using Pathfinder to Unite both objects.

vector dandelion

Step 19

Color the object with Mesh.

  1. #FFE52B
  2. #D09908

Next, turn the lowest row of mesh completely transparent.

how to use gradient mesh

Step 20

Finish the flower.

photo-realistic vector dandelion tutorial

Step 21

Draw a leaf with Mesh.

  1. #82924A
  2. #2B3806
  3. #6F7618
  4. #94A546
  5. #637323
mesh leaf

Step 22

Add the leaves to the dandelion.

add leaves

Step 23

Draw the stem out of three rows of mesh.

  1. #597418
  2. #839334
  3. #FFFFFF
mesh flower stem

Step 24

Add the stem to the flower!

vector dandelion flower

2. How to Draw the Front-Facing Dandelion

Step 1

Begin drawing the first petal for the second flower!

  1. #FCDC00
  2. #DEAF00
  3. #E0C100
  4. #FCEC00
  5. #F2D700
dandelion petal vector

Step 2

  1. #FDE000
  2. #E2A600
  3. #D5A700
  4. #F6C300
  5. #F7D200
  6. #FFF300
petal tutorial

Step 3

  1. #FDE000
  2. #FBEA00
  3. #EFCF00
  4. #D3A300
  5. #FCE300
vector flower petal

Step 4

  1. #F1BC00
  2. #CE8F00
  3. #FFDE00
  4. #CEA000
  5. #BB8200
  6. #F9CD00
mesh

Step 5

Create the fifth petal out of the first one.

dandelion petal

Step 6

Create the sixth petal.

flower petal

Step 7

Assemble the outer part of the flower.

vector mesh dandelion

Step 8

Create a smaller copy of the flower, and then reflect it and add it inside the bigger ring.

Step 9

Add an ellipse filled with #FFB600 behind the petals.

Step 10

Open the attachment to this tutorial, dandelion.jpg.

Drag it inside your work document in Adobe Illustrator, and then open the Image Trace panel.

Set the number of Colors to 30, adjusting the other settings to match the screenshot if they are different. Press Trace, and then Object > Expand Appearance.

image trace

Step 11

Delete the outer yellow part of the traced dandelion.

trace

Step 12

Add the remainder inside the flower.

add dandelion middle

3. How to Add the Daisies and the Grass

Step 1

To draw the daisy, consult my tutorial How to Draw Heart-Shaped Daisies in Adobe Illustrator.

This time, do not create a heart out of the middle, and go through the steps as if the middle was round.

daisy

Step 2

After you’ve traced and expanded the middle, flatten it a bit.

daisy mesh

Step 3

Create a blend shadow out of #89580F and #FFFAD7, setting it to Multiply with 80% Opacity.

blend shadow

Step 4

Place the shadow in the middle of the petals, and then place the flower in the middle.

add shadow
add daisy middle

Step 5

To create grass, consult this tutorial of mine: How to Create a Grass Banner in Adobe Illustrator. Recolor it by going to Edit > Edit Colors > Adjust Colors and adding 6% Green.

create grass

Step 6

To bend the straight blades of grass, use Effect > Warp > Arc with 50% Bend.

Expand Appearance.

bend grass

Step 7

Create a scene out of the objects we’ve made so far.

grass bush with flowers vector

4. How to Draw the Butterfly

Step 1

Draw an element of the butterfly’s wing with mesh.

  1. #E7A229
  2. #000000
  3. #FDF2DA
  4. #FACB49
vector mesh butterfly

Step 2

Add another part.

  1. #E7A229
  2. #FBCB45
  3. #000000
  4. #7F490F
photo-realistic butterfly wing

Step 3

Draw the final element.

  1. #F7BE3D
  2. #000000
  3. #68380B
  4. #D38F24
  5. #5A2C09
  6. #FCCF46
mesh butterfly

Step 4

Draw an outline of a butterfly’s wing, fill it with black, and then add the elements we just made.

how to draw butterfly in illustrator

Step 5

Draw another element for the wing.

  1. #000000
  2. #FFFFFF
  3. #F6BCA5
  4. #F9EBC9
mesh element

Step 6

Create different variants by bending the original shape.

butterfly wing decoration

Step 7

Add the objects to the butterfly’s wing.

add to wing
vector butterfly

Step 8

Add a new copy of the wing.

butterfly mesh illustrator vector tutorial

Step 9

Begin drawing the body of the butterfly with legs and antennae.

legs
antennae

Step 10

Draw the body.

  1. #000000
  2. #D4C3A7
  3. #86773E
  4. #554322
body of butterfly vector

Step 11

Assemble the body.

butterfly body mesh

Step 12

Complete the butterfly.

vector butterfly

Step 13

Create a Blend shadow out of #293F06 and #FFFFFF. Set it to Multiply.

blend shadow
blend shadow vector

Step 14

Add a Gradient shadow from #94A163 to #FFFFFF, and set it to Multiply.

shadow
gradient

Step 15

Add the shadows under the bush and the butterfly next to it.

Then, draw an outline, “framing” the picture. Select everything and Make Clipping Mask.

vector nature scene

Step 16

You’re finished!

vector nature scene tutorial grass dandelion daisy butterfly mesh

Awesome Work, You’re Done!

Thank you for following along, and please feel welcome to post your result in the comments. I’ll be looking forward to seeing it!

In this tutorial, you learned how to create beautiful photo-realistic flowers using the Mesh Tool.

I hope you’ve enjoyed this tutorial and learned how to use some useful tools for the future! Check out some of my other vector tutorials on my instructor profile.

You can purchase these flowers as well as other similar designs in my portfolio on GraphicRiver.

Nature Summer Background with Daisy Flower
Nature Summer Background With Daisy Flower

If you’re looking for more floral gradient mesh tutorials, let me recommend the following tutorials to try next:

How to Create an Ice-Cream Script Poster in Adobe InDesign

Final product image
What You’ll Be Creating

Looking for a summer fix? This pastel poster evokes long, hot days eating ice cream in the park. It’s also super simple to create in Adobe InDesign and is a great way of picking up some new techniques for creating print layouts.

Ready to bring the sunshine in? Let’s get started!

What You’ll Need to Create Your Poster

You’ll need access to Adobe InDesign to create the main layout of your poster. We’ll also dip into Adobe Illustrator to briefly edit some vector graphics. You can use alternative vector software, such as Inkscape or CorelDRAW, for this step.

You’ll also need to download the following image and font files from Elements:

Install the fonts on your computer, and you’re ready to start putting your poster together.

1. How to Create a Pastel Color Palette for Your Poster

Step 1

Open InDesign and go to File > New > Document. 

Choose Print for the Intent from the top of the window, and select A3 for the Page Size. Add a Bleed of 5 mm to all edges of the document. Then click Create

new document

Step 2

Expand the Layers panel (Window > Layers), and double-click on the Layer 1 name. Rename it as Background and click OK

Choose New Layer from the panel’s drop-down menu, at top-right, and name it Type

Create two more new layers: Sparks and then Texture at the top of the sequence.

layer options

Then lock all layers except Background, which we’ll work on first. 

background layer

Step 3

Expand the Swatches panel (Window > Color > Swatches), and choose New Color Swatch from the panel’s menu. 

With the Color Type set to Process and Mode to CMYK, set the levels below to C=2 M=5 Y=29 K=0. Click Add and then OK.

Repeat the process to create a further six new CMYK swatches, with the following values:

  • C=29 M=49 Y=65 K=7
  • C=23 M=0 Y=25 K=0
  • C=0 M=40 Y=9 K=0
  • C=6 M=21 Y=14 K=0
  • C=7 M=0 Y=43 K=0
  • C=2 M=0 Y=3 K=0
new color swatch

2. How to Build Up Typography on Your Poster

Step 1

Take the Rectangle Tool (M) and drag across the whole page, extending it up to the edge of the bleed on all sides. 

From the Swatches panel, set the Fill Color of the shape to your new pink swatch, C=0 M=40 Y=9 K=0.

pink background

Step 2

Lock the Background layer and unlock the Type layer above it. 

Switch to the Line Tool (), and drag to create a shallow diagonal line across the top-right section of the page, as shown below. 

line tool

Step 3

Select the Type on a Path Tool (Shift-T), and click once onto the left side of the line, to transform it into a text path. 

line tool

Type in ‘Ice’. From either the top Controls panel or the Character panel (Window > Type & Tables > Character), set the Font to Author Type and the Font Size to around 260 pt. 

author type

Switch to the Selection Tool (V, Escape) to select the line, not the text sitting on it. From the Swatches panel, adjust the Stroke Color of the line to [None] to make it invisible. 

ice text

Step 4

Select the line and Edit > Copy, Edit > Paste it, moving it below the first text line. 

Edit the text to read ‘Cream’, and reduce the Font Size to around 210 pt. Maneuver the text line into a snug position below ‘Ice’.

cream text

Edit > Paste the text line again, adjusting the text to read ‘always’. Change the Font Size to 220 pt, and maneuver the line into position below ‘Cream’.

always text

Paste in three more text lines, setting the first to read ‘good’, the second to ‘idea’, and the final one to an exclamation mark. Move them into roughly the same position as shown below.

exclamation mark

Step 5

Paste another text line, moving it over to the left side of ‘always’. Type in ‘IS’ and set the Font to Burtons, 80 pt. 

Copy and Paste this text line, moving the second to the left of ‘good’ and editing the text to ‘A’.

text lines

Step 6

Select the top text line, ‘Ice’, and click on the ‘T’ icon at the top-left corner of the Swatches panel, to be able to edit the Font Color. 

Switch the Font Color to your brown swatch, C=29 M=49 Y=65 K=7.

swatches ice

Set ‘Cream’ in C=2 M=5 Y=29 K=0.

swatches cream

Apply C=23 M=0 Y=25 K=0 to ‘always’.

swatches

Set ‘good’ in C=2 M=5 Y=29 K=0, ‘idea’ in C=29 M=49 Y=65 K=7, and the exclamation mark in C=23 M=0 Y=25 K=0. Finally set ‘IS’ and ‘A’ in the palest new swatch, C=2 M=0 Y=3 K=0. 

swatches

Step 7

Select all the text lines except the small ‘IS’ and ‘A’, and go to Object on the top main menu. Go to Effects > Drop Shadow

Click on the colored square to the right of the Mode menu to open the Effect Color window. Choose the pink swatch, C=0 M=40 Y=9 K=0, and click OK

Back in the Effects window, increase the Opacity of the shadow to 100%, Distance to 5 mm, Angle to around 140, Size to 1 mm, Spread to 100%, and Noise to about 30%

Click OK to exit the window. 

effect color

Step 8

Select the two small text lines containing ‘IS’ and ‘A’, and go to Effects > Drop Shadow, as before. 

Repeat the same settings as before (Opacity 100%, Distance 5 mm, Angle 140, Size 1 mm, Spread 100% and Noise 30%), but this time choose your yellow swatch, C=7 M=0 Y=43 K=0, for the Effect Color. 

effect color

3. How to Add Framing Elements and Texture to Your Poster

Step 1

Open up the ribbon and design elements vector in Illustrator, or your vector software of choice. 

Select the circular sparks illustration pictured below, and Edit > Copy it. 

Minimize the Illustrator window and head back to your InDesign document.

ribbon and design elements

Step 2

Lock the Type layer and unlock the Sparks layer. 

sparks layer

Edit > Paste the sparks vector directly onto the layer. Then Right-Click > Ungroup the vector.

ungroup

Step 3

Delete about two-thirds of the vector shape, and move the remaining third into position to the right of the ‘e’ in ‘Ice’.

sparks vector

Copy and Paste this shape, and move the second over the top of ‘C’.

sparks

Paste two more shapes, moving one next to the ‘i’ in ‘idea’ and the second to the bottom-right of the exclamation mark.

sparks layer

Step 4

Adjust the Fill Color of the top shape to C=29 M=49 Y=65 K=7, to match the brown color of ‘Ice’.

fill color

Then adjust the colors of the other shapes to match the letters they are nearest to. 

swatches

Step 5

Lock the Sparks layer and unlock the top layer, Texture

texture layer

Use the Rectangle Frame Tool (F) to create an image frame across the whole page. Go to File > Place, and navigate to the vintage grit textures images you downloaded earlier.

Go into the PNG folder and choose the second texture, ‘Grit02-byGhostlyPixels.png’, before clicking Open, and allowing it to fill the image frame. 

texture

Step 6

With the image frame selected, go to Object > Effects > Transparency. Choose Screen for the Mode, and bring the Opacity down to 70%.

screen

Click OK to exit the window.

texture layer

4. How to Export Your Poster

Your poster is finished—great job! If you want to share your poster online, you can simply go to File > Export and choose JPEG or PNG from the Format menu.

If you want to get your poster printed professionally, read on to find out how to make a press-ready file.

Step 1

Go to File > Export. Choose Adobe PDF (Print) from the Format menu, name the file and click Save

In the Export Adobe PDF window that opens, choose [Press Quality] from the Adobe PDF Preset menu at the top. 

press quality

Step 2

Click on Marks and Bleeds in the window’s left-hand menu. Check both All Printer’s Marks and Use Document Bleed Settings, before clicking Export.

export adobe pdf

And there we have it! Your poster is exported, and this PDF file is ready for sending straight off to be printed. 

Conclusion: Your Finished Ice-Cream Poster

Your poster is finished—great job!

In this tutorial, we’ve covered several techniques for creating print designs in InDesign, including how to set up a flyer layout and format typography. We’ve also looked at how to use fonts, textures, and colors to bring a vintage, mid-century vibe to your design. 

If you’re looking for more help with poster design, these easy-to-edit poster templates on GraphicRiver and Envato Elements will suit a wide range of occasions and look fantastic too!

final poster

How to Design an “Eid Al-Fitr” Greeting Card in Adobe Illustrator

Final product image
What You’ll Be Creating

“Eid al-Fitr”, which is often shortened to “Eid”, is the “festival of breaking fast”. It is a religious holiday celebrated by Muslims across the world, to mark the end of the month-long fasting of Ramadan.

Traditionally, Eid is the celebrated for three days, just as the first sighting of the crescent moon is spotted by the end of the Ramadan lunar month.

To celebrate, Muslims gather in the morning at the mosque to perform their Eid prayer, and then visit friends and family, have a feast, and enjoy loads of sweets to mark the end of the fasting. The celebrations are also a time of forgiveness, giving thanks to
Allah, and offering donations and food to those less fortunate.

The most popular Arabic greeting during this holiday is usually “Eid Mubarak”, which is translated in English to “blessed festival”.

In this tutorial, we’ll go through the process of creating an Arabesque Eid greeting card. We’ll be using basic shapes to design an Islamic art pattern, and will learn to tailor a font in Arabic for “Eid Mubarak”. 

If you’re looking for inspiration, why not check out the many Eid designs over on Envato Market

1. Create a New Document & Set Up

To design our greeting card, we need to have basic knowledge of Islamic art. The general construction method of any Arabesque pattern is more or less intertwined geometric shapes like hexagons, squares, octagons, triangles, stars, and circles. Creating a pattern tile is quite an interesting challenge, so as a beginner, keep it as simple as possible, and work with a grid.

I sketched out roughly the idea for the card design and a sample of the tile design I want to recreate. It’s a combination of stars, a circle, and a hexagon. So let’s get started!

Adobe Ilustrator sketch design arabesque pattern islamic art greeting card eid sketching draw

Open Adobe Illustrator CC, and hit Control-N to create a new document.

Select Profile: Basic RGB.

In the Units drop-down menu, select Millimeters and enter 250 mm for Width and Height, and Name your file “Eid_Greeting“. Click OK.

Click on the Advanced button, make sure RGB, Screen (72ppi) is selected, and check Align New Objects to Pixel Grid. Click OK.

create new document adobe illustrator cc eid greeting width height rgb screen 72ppi align new objects to pixel grid default millimeters

Once the file is open, View > Show Grid. Then select View > Snap to Grid

The grid needs to be customized to the artboard, so we need to edit it. Go to Illustrator > Preferences > Guides & Grid and in the Gridline every box write 25 mm, and write 6 in the Subdivisions
box. 

adobe illustrator cc preferences grid guides 25mm 6 subdivisions eid greeting design

2. Pattern Design

Step 1

First let’s create the tile for our pattern, and then the rest is easy.

In my sketch I had two six-pointed stars in a circle and enclosed in a hexagon.

Select the Ellipse Tool (L) with Fill to None and black Stroke, hold down
the Option and Shift keys, and drag to constrain your selection. Snap the ellipse to two square subdivisions of the grid. Each square division is 25 mm, so the diameter of your circle would be 50 mm. If you select Window > Info, you can view the exact dimensions of the Width & Height of your selection.

ellipse tool draw pattern tile fill none stroke black option shift constrain circle subdivision 50mm eid greeting

Step 2

Next we need to create the two six-pointed stars within the circle.

To make a 6-pointed
star, select the Star Tool, and click once in the center of the ellipse, to center the star and open the Star dialog box.

Make Radius 1: 25 mm (half the diameter of our ellipse), Radius 2: 8mm, and Points: 6.

Star dialog box 6 pointed star tool radius points pattern eid greeting card

Go to Window > Stroke, to open the Stroke panel.

Select Cap: Round Cap and Corner: Round Join, so the pointy ends of the star do not exceed the ellipse border.

Star dialog box 6 pointed star tool radius points pattern eid greeting card cap round corner round join miss chatz

Next with the 6-point star selected, Copy (Command-C), Paste in Front (Command-F). Then Object > Transform > Rotate. The Rotate dialogue box
will appear; make Angle: 90 degrees.

rotate angle star six pointed object transform Star dialog box 6 pointed star tool radius points pattern eid greeting card miss chatz

With the Selection Tool (V), select the elements of the two six-point stars and the circle, and apply a 5 pt Weight to the Stroke, from the Stroke panel.

Then select the Cap: Butt Cap, Corner: Miter Join, and apply a Limit of 4x, so the corner edges are sharp for the inner dodecagon.

selection tool v elements stroke 6 point star panel weight stroke panel limit miss chatz eid pattern greeting card

Step 3

Select the three objects with the Selection Tool (V).

Object > Expand. Make sure Fill and Stroke are checked, and OK.

Open the Pathfinder panel: Window > Pathfinder, and select Shape Modes: Unite, to create a compound shape.

eid greeting card expand strokes object fill pathfinder panel pathfinder select unite shape mode illustrator cc miss chatz

Step 4

Select the Rectangle Tool (M) with a white Fill and black Stroke, hold down
the Alt and Shift keys to constrain the selection, and draw a rectangle around the circular pattern.

Next, with the Selection Tool (V), drag over both objects to select them, and click on Pathfinders: Divide.

adobe illustrator cc draw rectangle tool shape pathfinder shape divide pattern eid greeting miss chatz

Take the Direct Selection Tool (A), and select the outer excess shape, then Delete.

Then with the Selection Tool (V), select our object and Object > Ungroup (Shift-Command-G ), so we can color each element separately.

adobe illustrator cc delete rectangle tool divide shape compound seperate shape pathfinder shape divide pattern eid greeting miss chatz

Step 5

Let’s color our tile pattern.

With the Direct Selection Tool (A), select the elements in the pattern you want in the same color group.

Apply a Fill color of your choice, with Stroke to None. Then group the same color fill elements together. Object > Group (Command-G).

adobe illustrator direct selection tool group obeject same color pattern eid greeting miss chatz arabic

Do the same with the rest of the elements.

Make sure that each element is grouped to its corresponding color choice, and with Stroke to None.

adobe illustrator color group elements tile pattern choice eid greeting pattern background fitr miss chatz

Step 6

Select all the elements with the Selection Tool (V), and then Object > Pattern > Make. Our new pattern will automatically appear, but it needs to be edited in the Pattern Options dialog box.

adobe illustrator object pattern make tile pattern eid fitr greeting card design miss chatz

Choose how to lay out the tiles. Hex by Row will place the tile in a hexagonal shape and arrange it in rows. The tiles in the row will center in horizontal alignment, with the alternate rows vertically aligned.

Next, specify the overall height and width of the tile. Change the Width to 50 mm and Height 58 mm.

You will need to experiment with various values,
smaller or larger than the height and width of the artwork, to reach the pattern you desire.

adobe illustrator make pattern hex by row tile pattern eid greeting width height adjust layout

Step 7

Next we need to fill the triangular space between the circular patterns.

Remove Snap to Grid so we can create a three point star in the empty triangular space. View > Snap to Grid (Command-Shift-”).

Next choose a color Fill and Stroke of 4 pt.

Select the Star Tool, and click once on the top left corner on the hexagon grid.

The Star dialog box will appear. Enter:

Radius 1: 4.5 mm

Radius 2: 1.2 mm

Points: 3

OK

adobe illustrator star tool create radius setting points weight stroke eid fitr greeting card

Step 8

With the star selected, Object  > Expand, with Object, Fill and Stroke selected, and click OK.

Select the Direct Selection Tool (A), and give the two elements each a different color. I kept the thick borders the same color tone.

adobe illustrator create three point star expand fill stroke object color eid fitr pattern tile

With the Selection Tool (V), select the three-point star, hold down the Alt-Shift keys, and drag the object to the bottom left corner of the hexagon grid.

Object > Transform > Rotate, and the Rotate dialog box will open.

Make the Angle 180 degrees, and align the center to the hexagon grid corner. Click OK.

adobe illustrator create three point star expand fill stroke object color eid fitr pattern tile

Once you are done, click Done from the bar in the Control Panel to save the New Pattern.

Once a pattern is created, it is
stored in the Swatches panel.

If you wish to edit the New Pattern again, then open the Swatches panel: Window > Swatches, and double click the swatch pattern, to edit.

adobe illustrator save pattern to edit swatches panel adjust artwork modify control panel eid fitr holiday card

File > Save (Command-S) and OK.

Select the pattern tile object we created and delete it; we no longer need it.

Step 9

Once we’ve set up
our tile pattern, all we need to do is to fill our background.

Select the Rectangle tool (M), and with our New Pattern Fill draw a rectangle around the artboard.

adobe illustrator new pattern create rectangle tool background pattern tile eid fitr holiday card misschatz

Once you do that, take the Rectangle Tool (M), select a color Fill of your choice, and draw another rectangle around the artboard. Then Send to Back (Command-[), so it’s behind our pattern.

adobe illustrator edit fitr pattern create rectangle tool background send to back

Step 10

Next let’s create the background area for our text. Pick the Star Tool from your toolbar, set a color fill, and click once the center of your artboard for the Star dialog box to open.

Set Radius 1: 106 mm

Radius 2: 95 mm

Points 12

OK.

adobe illustrator star dialog box  create 12 point pattern background eid fitr card design

Once you have set the background color and shape, Object > Path > Offset Path, and set it to -6mm, Joins: Miter, and OK.

Give the new shape a color, no fill, and set Stroke to 6 pt.

adobe illustrator offset path apply stroke new layer text

File > Save (Command-S) and OK.

Open the Layers panel (Window > Layers), and select the Create a New Layer icon to create a new layer for our text illustration.

3. Tailoring Arabic Type

The art of Arabic calligraphy is also known as Islamic calligraphy,
because it was first designed to be written for the Koran, which is the holy book of
Islam. Calligraphy differs from handwriting, as it serves the purpose of being both aesthetic and functional. Writing, on the other hand, is primarily used to communicate.

There are many different styles of Arabic calligraphy, and each script has its own distinctive shape and characteristics. We won’t be going through the different style types, but if you have an interest in letters and patterns, then you can benefit on your own from these Arabic calligraphy tutorials, aimed at beginners.

Before we start working on tailoring our Arabic text, here’s a brief introduction to the basics of proper calligraphy:

  • Arabic is written from right to left, and in cursive nature.
  • There are no capital letter forms. 
  • All letters connect together on the right, but not all letters connect to the left.
  • When writing Arabic words, you should be familiar with the basic behavior of each letter. Basically, all letters are written on the baseline, and some are ascending while others fall below the baseline.

Google translated the words for our greeting “Eid Mubarak”. You will see how it’s written in Arabic, as:  عيد مبارك‎‎.

To familiarize your eye with its various forms, I’ve sketched it on a baseline for you, so you can see which letters ascend and descend. Plus a round form of lettering is used, so it’s easier to mimic.

sketch arabic calligraphy letter form ascending descending baseline round type fite eid mubarak

Step 1

Let’s start creating our letter form by determining the baseline, ascending and descending heights.

Select the Ellipse Tool (L). With a white stroke of 7 pt, and fill to none, click once to open the Ellipse dialog box.

Set Width and Height at 31 mm, and OK. This will be our baseline height.

adobe illustrator ellipse tool circle round letter form create baseline

Then select the Round Rectangle Tool, from the Tools bar, and click once on the artboard to get the Rounded Rectangle dialog box.

Set Width: 31mm (same diameter as the ellipse created)

Height: 60 mm (half the diameter of the ellipse added over and under)

Corner Radius: 16mm (for a nice round curve)

OK.

rounded rectangle tool dialog box width height adobe illustrator eid fitr greeting type lettering miss chatz

Select both objects with the Selection Tool (V).

Open the Align panel (Window > Align), and Horizontal Align Center and Vertical Align Center.

horizonal align center vertical align center align panel ellpse round rectangle type eid fitr car greeding

Step 2

Change the View to Outline Mode (View > Outline).

With the two objects selected, hold down the ShiftAlt keys and drag, to duplicate the object, and move it towards the left to align with the left borderline.

The Command-D shortcut will repeat the last action. Repeat four times, until six object groups are aligned.

outline mode view repeat action duplicate eid fitr outline greeting font

Use the Command-Y shortcut to switch the view to Preview.

Select all objects with the Selection Tool (V), and with Shift-Alt held down, scale them down to fit our hexagon background.

Then Shift-Alt-Drag down to Duplicate and create the second row.

adobe illustrator duplicate object create duplicate shift alt drag  eid fitr greeting card miss chatz

Next let’s bring out our Ruler through the shortcut Command-R, so we can put in our text guidelines.

To make sure the guides will be locked, select View > Guides > Lock Guides.

Drag the guides to create the baseline, ascending and descending height levels.

guide drag heights baseline text edit edi fitr card

Step 3

“Eid” (عيد) is made up of three letters, but they are all on the baseline.

So Delete the left and right objects in the first row, plus the ascending three rounded rectangles.

eid text alignment guides delete onjects shape eid greeting card fitr illustration illustrator adobe

Next, move on to cut the letter shapes. Following the Arabic type sketch, use the Scissors Tool (C) from the Tools bar to cut the points on the ellipses, and then delete the excess.

Next, let’s tailor the word “Mubarak” (مبارك). There are two ascending letters and one descending. Select the objects that we don’t need, and delete, then use the Scissors Tool (C) to cut the letters, according to the sketched illustration.

cut objects with scissors tool arabic text eid mubarak greeting misschatz

Step 4

Select the end points of the ascending letters, with the Direct Selection Tool (A), and hold down the Shift key to constrain the selection as you move the ascending height guideline upwards.

adobe illustrator direct selection tool adjust line ascending letter guidlines fitr eid greeting miss chatz

Then use the Selection Tool (V), holding Shift down, to distribute the letters closer together.

Once you are done, let’s dot and add signs to our letters.

Step 5

Select the Ellipse Tool (L) and open the Ellipse dialog box, by clicking once on the artboard.

Create a 6 mm Width & Height ellipse.

adobe illustrator dot letters ellipse tool sign height width dialo box eid fitr greeting mubarak

There will be two dots below the baseline in the middle letter of “Eid” (عيد).

So make sure you have two aligned ellipses created.

Plus, there is another dot to add, below the second letter of “Mubarak” (مبارك). So create another ellipse for it.

eid mubarak ellipse dot and sign greeting fitr holiday card adobe illustrator misschatz

Step 6

The last letter (Kaph ك ) in “Mubarak” (مبارك), has the “hamzah” (ء) symbol which we need to recreate. It looks an elongated letter “c” but with a tail.

From the tools bar, select the Rounded Rectangle Tool. With a white stroke of 7 pt, and fill to none, create a rounded rectangle with 17 mm Width, 13 mm Height, and Corner Radius 16 mm.

rounded rectangle tool radius width height letter creation eid greeting

Use the Scissors Tool (C) from the Tools bar, to cut it into a “C” form. Delete the excess.

Then select the Pen Tool (P) and select the joint to draw a tail.

File > Save (Command-S) and OK.

4. Adding Details

Step 1

Great, we are almost done.

Hide the guidelines, as we no longer need them. View > Guides > Hide Guides (Command-;).

Command-A, to Select All objects on the text layer, then align them correctly into the hexagon.

Then with the Selection Tool (V), select the elements with a white stroke, and thicken the stroke to 9 pt.

adobe illustrator fix stroke thicken fitr eid mubarak card text design

Object > Expand with Fill and Stroke checked, and OK.

Command-A, to Select All, and give them a Fill color of your choice with Stroke to none.

eid mubarak greeting card design fitr adobe illustrator  object expand fill color stroke

Step 2

Let’s finish it off with stars and a moon.

With the Ellipse Tool (L), and yellow fill, draw a freehand ellipse.

Then freedraw another ellipse over it, towards the inside of the first ellipse, so that the below ellipse would start to look like a crescent.

ellipse tool draw crecent moon eid fitr holiday greeting pathfinder ramadan

Let’s cut out our crescent.

Open Window > Pathfinder.

In Pathfinder > Shape Modes, select Minus Front.

Now, you should have a crescent moon!

Finally, take the Star Tool from the Tools bar, select a color tone Fill, and randomly fill the space around the text with little stars.

File > Save (Command-S) and OK.

Eid Mubarak!!

I hope you enjoyed learning
the process of creating an Arabesque pattern and gained a few useful  shortcuts to tailor a rounded Arabic font, as well as having been inspired to create your own colorful Eid greeting card for the
celebration of Eid Al-Fitr.

Have fun creating, and always feel free to share how
your Eid greeting turned out.

Leave any questions you may have in the comments section below.

Happy Eid!

final card design fitr eid holiday greeting design arabesque pattern design adobe illustrator vector style miss chatz freelance artist dubai uae gcc

How to Create a Jordan ‘Hatta’ Scarf Design With Adobe Illustrator

Final product image
What You’ll Be Creating

Hatta‘ is the name of the traditional square scarf that Middle Eastern men wear as a headdress. 

It’s a white cotton cloth, designed in checkered patterns and traditionally worn for protection against the sun, sand, and cold nights. Depending on which part of the Arab world you are in, it is also known as kiffiyehghutrahshemagh, or mashadah. The name, design, color, and style of dress vary by the region and its people.

In Jordan, the hatta headcloth colors are red and white—a marker associated with the country’s heritage, and typically worn as an Arab nationalist symbol. For your brief knowledge, Jordan is officially known as the ‘Hashemite Kingdom of Jordan’. The colors used on the checkered hatta design were historically adopted from both the red Hashemite Flag and the Arab Revolt Flag, thus making it a symbol of Jordan. 

In the Western world, the scarf design is commonly worn in black/white or red/white colors, and it’s no more than a fashion accessory or clothing trend. Other countries that have adopted the red-white keffiyeh colors are Iraq, Saudi Arabia, and Syria. 

In today’s Adobe Illustrator tutorial, we will cover the steps to creating the red-white hatta scarf pattern design and applying it to the title “JORDAN”.

If you would like to purchase some Arab pattern designs and artwork, just head over to GraphicRiver or check out my other tutorials on Envato Tuts+.

Let’s start pattern making!!

What You’ll Need

You will need the following font in order to complete this project:

  • Robinson Regular. If you wish to use a similar font, you could still achieve a similar end result.

1. How to Design the Checkered Pattern Design

Step 1

hatta design is composed of three different pattern designs: Checker, Wave, and Diagonal.

Before we start, create a New Document (Command-N) of banner size 851 x 315 px, Landscape orientation, and RGB color mode.

adobe illustrator create new document width height landscape and RGB color mode

Step 2

Let’s start by designing the Checker pattern.

Begin by drawing two rectangles. Select the Rectangle Tool (M). Draw a 18 px red #d32127 rectangle, and another rectangle of dimensions 8 x 16 px.

Open the Properties panel (Window > Properties) to quickly access settings, controls, editing options, and alignment.

Take the Selection Tool (V), select both rectangles, and apply a Horizontal and Vertical Align Center action to the two. Command-G to Group.

rectangle tool properties panel horizontal and vertical center alignment

Step 3

Switch to the Direct Selection Tool (A) to automatically view all the Live Corner widgets that appear next to each corner point. Click the Corners link in the Control panel (Window > Control), and set the Radius to 2 px.

Control Panel live widget corner radius curve window control

Step 4

Next, with the Rectangle Tool (M), using the same red fill of #d32127, draw one 2.3 x 25.6 px vertical rectangle and a horizontal rectangle of 14.6 x 2.3 px.

Select all the rectangles with the Selection Tool (V). Apply the Horizontal and Vertical Align Center actions, from the Properties panel, to align them vertically and horizontally.

draw with rectangle tool and horizontal vertical center align

Step 5

Select the rounded rectangle group. Then Copy (Command-C) and Paste in Front (Command-F).

Object > Transform > Rotate the group 90°. Then select the vertical rectangle bar, and Copy (Command-C) and Paste in Front (Command-F).

Then select the horizontal rounded group plus the vertical rectangle bar. Hold down the Shift key to constrain the motion, and drag the objects to the edge of the horizontal bar, as shown.

rotate rounded rectangle and align center horizontal and vertical

Step 6

Select all the shapes. Object > Pattern > Make. The Pattern Options dialog box will open. Apply the following settings:

  • Name: Checker
  • Tile Type: Brick by Row
  • Brick Offset: 1/2
  • Unlink the Width and Height link
  • Height: 21 px
  • Copies: 7 x 7 

Once the pattern is created, you can delete the shapes, as now the Checker pattern will appear in the Swatches panel (Window > Swatches).

Our first pattern is ready.

Checker Pattern design jordanian hatta tile type brick offset height and copies

2. How to Create the Wave Pattern Design

Step 1

Select the Ellipse Tool (L) and draw a 5 x 11.5 px red ellipse #d32127.

Select the Anchor Point Tool (Shift-C), and taper the top and bottom anchor points of the ellipse. Then from the Properties panel, apply a Rotate of -45° to the shape.

Step 2

Turn on your Smart Guides (Command-U). These snap‑to guides will appear when you move objects around, and they will help guide you in aligning things accurately.

From the Tools menu, select the Rounded Rectangle Tool, under the Rectangle Tool. Tap once on the artboard to open the Rounded Rectangle dialog box and choose the following settings:

  • Width: 1.2 px
  • Height: 2 px
  • Corner Radius: 0.7 px
  • OK

Then use the Selection Tool (V), and with help of the Smart Guides, position the rounded rectangle on top of the tapered ellipse as seen below.

rounded rectangle tool width height corner radius  Selection Tool

Step 3

Select the leaf shape and the rounded rectangle, and Copy (Command-C) and Paste in Front (Command-F).

Take the Reflect Tool (O) and set the blue center reference point at the end of the base of the leaf, as seen in the image. Hold down Option-Shift and drag and release when the selection is mirrored across.

Use reflect Tool O to mirror selection center reference point copy paste in Front shortcut

Step 4

A time-savvy shortcut to learn in Adobe Illustrator is the Drag-Drop action instead of the Copy-Paste action. 

We need to duplicate the rounded rectangle shape, to position it on the base of the two leaf objects. Select the rounded rectangle, hold the Option-Alt keys, and drag the object with the Selection Tool (V) to the base of the leaves. This will create a duplicate.

copy paste option alt drag and drop shortcut

Step 5

Select all the shapes, and then click the Unite action from the Pathfinder in the Properties panel.

Unite shapes from Properties panel Unite action Pathfinder

Step 6

Object Pattern > Make to open the Pattern Options dialog box.

  • Name: Wave
  • Tile Type: Grid
  • Unlink Width and Height
  • Width: 14.15 px (adjust the width so the tops of the rounded rectangles overlap at the intersection).
  • Copies: 7 x 7 

We are ready with the second pattern. It should appear in the Swatches panel afterwards.

pattern options wave tile type width overlap copies swatches panel

3. How to Set Up the Diagonal Pattern Design

The third pattern, the Diagonal, is the easiest to set up. We just need to create a vertical rectangle pattern that we will transform later on.

Take the Rectangle Tool (M), and create a red fill #d32127 rectangle about 2 x 5 px

Object Pattern > Make to open the Pattern Options dialog box.

  • Name: Diagonal
  • Tile Type: Grid
  • Unlink Width and Height
  • Width: 3 px 
  • Height: 5 px (approx)
  • Copies: 7 x 7 

And our third pattern is ready!

pattern make options swatches panel  diagonal grid width height copies

4. How to Design the “Jordan” Title

Step 1

Open the Character panel (Window > Type > Character or Command-T). Select the Type Tool from the Tools panel. Select the Robinson Regular font family (a font found on Envato Elements) from the Character panel. 

Set Font Size to 400 pt, with Tracking set at 25 pt, type in “JORDA”, and leave the N out. We will design a scarf in the form of the ‘N’. 

Object > Expand. Make sure to check Object and Fill, then OK, so the type turns into individual shapes.

Character panel command T shortcut type font size object expand shape type

Step 2

The Jordan flag has a small, white, seven-pointed star, so we will create a star in front of the type to represent the flag.

Select the Star Tool, from the Rectangle Tool drop-down options in the Tools panel.

Tap once on the artboard for the Star dialog box, and set:

  • Radius 1: 26 px
  • Radius 2: 14 px
  • Points: 7
  • Ok
star tool under rectangle tool set radius pixels points

Step 3

Let’s create the N for ‘Jordan’.

Select the Rectangle Tool (M), and with help of Smart Guides, draw a vertical bar that is the same thickness and height as the type lettering:

  • Width: 34.96 px
  • Height: 279.297 px
Rectangle tool draw vertical rectangle width height properties

Step 4

Object > Path > Add Anchor Points to the rectangle. This will add anchor points in between the other anchor points.

Take the Direct Selection Tool (A), and select the base left and right anchor points and drag them upwards by about -35 px.

Select the top left anchor point and drag it down by about 35 px.

direct selection tool object path anchor points drag  anchor points

Step 5

Delete the top middle anchor point on the rectangle, using the Delete Anchor Point Tool ().

Then select the Reflect Tool (O) and set the blue center reference point at the right of the shape as shown below. Option-Shift-Drag and release to mirror.

Afterwards, use the Rectangle Tool (M), and with the assistance of Smart Guides, draw a connecting rectangle with approximately the same pixel height of our letter shape width, at 37.86 px.

delete anchor use refelct tool to mirror shape and draw rectangle

Step 6

Now let’s round the edges of our scarf ‘N’ slightly to fit the style of the text.

Take the Direct Selection Tool (A) and select the anchor points that are not touching the middle intersection.

In the Corners option of the Control panel, set the Radius to 1 px.

use direct selection tool to curve corner radius from control panel

Step 7

Select all the ‘N’ shapes, with the Selection Tool (V). Use the Left Arrow key to visually align the distance from the between the ‘A’ and ‘N’.

Next, select the ‘JORDA’ shapes, plus the two legs of the ‘N’. Then open the Pathfinder panel (Window > Pathfinder). 

From the option menu, select Make Compound Shape. This will combine all the shapes into one compound shape.

pathfinder panel window pathfinder make compound shapes

Step 8

Now let’s lay out our pattern, beginning with the Checker pattern.

Shift-D to switch Drawing Mode Normal to Drawing Mode Behind. Select the Checker pattern from the Swatches panel. Then, with the Rectangle Tool (M), draw an 810 x 135 px rectangle, with the help of the Properties panel and Smart Guides.

The pattern will appear straight, so we need to slant it. Object > Transform > Scale… to open the Scale dialog box. Make sure Transform Patterns is checked, and apply a 60% Uniform scale.

Then you need to rotate the pattern. Object > Transform > Rotate… opens the Rotate dialog box. Set the rotation to 45°, and click OK.

Our Checker pattern is set.

transform pattern settings uniform scale rotate properties

Step 9

Move on to designing the Diagonal stripes. 

Select the Diagonal pattern from the Swatches panel. Draw three rectangle bars, with the Rectangle Tool (M), using the following settings:

  • Bar 1: 810 x 4 px
  • Bar 2: 810 x 11 px
  • Bar 3: 810 x 4 px

You will realise the transform settings we applied to the Checker pattern continue to apply to the Diagonal, so we don’t need to set them again.

Set Diagonal pattern swatches and rectangle tool

Step 10

Group the three Diagonal bars (Command-G).

We need to duplicate the group, so apply the Drag-Drop action. Select the Diagonal bars group, hold the Option-Alt keys, and drag the group with the Selection Tool (V) to the edge of the ‘J’.

diagonal duplicate bars selection tool drag optiona alt

Step 11

Now, let’s add the Wave pattern.

Select the Wave pattern from the Swatches panel, and use the Rectangle Tool (M) to draw an 810 x 46 px rectangle.

The transform settings applied to the first pattern will remain, so you need to modify them. Select the Wave pattern from the Swatches panel to reset it. Object > Transform > Scale… to open the Scale dialog box. Make sure Transform Patterns is checked, and apply a Uniform scale of 60% and click OK.

transform pattern by uniform scale dialog box

Step 12

Now, the Wave pattern needs a little adjusting so it lies properly in the design.

To edit, double-click the pattern from the Swatches panel. In the Pattern Options dialog box, Unlink Width and Height. Then adjust the Height to about 12 px, so there is spacing between the top and bottom copies.

pattern options unlink width and height and adjust height distance of copies

Step 13

You will need to transform the pattern within the shape without moving the object, so select the rectangle with the Wave pattern fill.

Then hold down the Grave Accent (´) key while dragging, and adjust it accordingly.

Wave pattern move grave accent dragging

Step 14

For the base part of the pattern effect, draw a red fill (#d32127) rectangle at 810 40 px.

rectangle tool create 810 x 40 px red rectangle

Step 15

Group all the patterns together (Command-G). Then, with the Selection Tool (V), select both the ‘JORDA’ shape and the grouped pattern, and create a clipping mask with Object > Clipping Mask (Command-7).

Object clipping mask group and mask pattern

5. How to Finalise the Design

Step 1

Select the seven-pointed star shape, and use the Eyedropper Tool (I) to apply the same pattern on the Diagonal bars.

Let’s scale the Diagonal pattern in the design, so it will look more harmonious to the design. Select > Same > Fill Color, to select all the diagonal patterns. Object > Transform > Scale… to open the Scale dialog box. Set the Uniform scale at 150%, and click OK.

eyedropper tool I apply same fill color effect and object transform scale

Step 2

The Checker pattern aligns right to left, so let’s reflect the Diagonal pattern to flow in the same direction. Object > Transform > Reflect. Check Transform Patterns, set the reflection Angle to , and click OK.

object transform patterns reflect angle ok

Step 3

Some patterns might need a slight alignment.

Go ahead and select the ones you want to adjust, hold down the Grave Accent (´) key, and drag them to align neatly.

Then select the ‘N’ connecting rectangle, and use the Eyedropper Tool (I) to apply the same Checker pattern on the lettering.

Grave accent transform pattern use eyedroper rectangle set pattern

Step 4

Let’s add small seven-pointed stars at the center of the triangular bases of the ‘N’.

Shift-D to shift back to Normal Drawing Mode. Select the Star Tool from the Tools panel. With a white Fill and null Stroke, draw a seven-pointed star about 8 x 8 px.

Then, with the star still selected, apply Drag-Drop by holding down the Option-Alt keys and dragging the star object with the Selection Tool (V) to the other triangular end, as shown below.

switch drawing modes use star tool to drag drop on ends

Step 5

To create the scarf effect, we need to create a shadow effect on the folds.

Take the Pen Tool (P) and, with a red fill (#DB9C9C), draw a triangular shape on the edges of the connecting ‘ N’ rectangle, as seen in the image.

Hold down the Shift key to constrain the lines. Use the Smart Guides to draw similar width triangles, on both ends.

Use Pen Tool draw triangular shadows

Step 6

Open the Transparency panel (Window > Transparency). Select both triangles, and set their Blending Mode to Multiply.

Use Pen Tool draw triangular shadows

Step 7

Pay attention to detail. Take the time at the end to tweak the patterns and shapes so that everything is perfectly put together.

To finalize the banner, add a white background. 

Congratulations!

Your Middle Eastern “Jordan” hatta banner is done! 

See, that was easy to create. Use your imagination and just be creative.

I hope that you found some useful tools, tips, and tricks and that you enjoyed this tutorial! See you next time.

Final jordan hatta shemagh banner design star arab middle east

Illustrator in 60 Seconds: How to Use Compound Shapes

Final product image
What You’ll Be Creating

Welcome to our Illustrator in 60 Seconds series, in which you can learn an Illustrator skill, feature, or technique in just a minute!


How to Use Compound Shapes

Always wondered what a compound shape is, but never had the courage to try it out? Well, if that’s the case, check out our quick video and follow the provided steps and you’ll be mastering them in no time!

Compound Shapes

If you’ve ever played with Pathfinder’s Unite Shape Mode, you probably know you can easily unite two or
multiple objects into a single larger shape.

example of larger shape created using the unite shape mode

A compound shape allows you to achieve the same result, but in a more
versatile manner, since it lets you select any composing object using either the
Direct Selection Tool (A) or the Layers panel, and then edit its
position, size, and shape at any point in time.

example of shape selection inside of a compound shape

You can easily create a
compound shape by selecting the desired objects and then heading over to Pathfinder’s advanced menu and hitting
Make Compound Shape, or by using Unite Shape Mode while holding down
the Alt key.

how to create a compound shape

As you can see, the
resulting path will take on the color of the topmost object, but since it
behaves as a live effect, you can
easily change its color or even apply different visual effects such as
textures or gradients, and they will seamlessly transition from one composing shape
to another.

example of using a gradient with a compound shape

If needed, you can easily
return a compound shape to its original components by selecting it and
then heading to Pathfinder’s advanced menu and hitting Release Compound Shape.

how to release a compound shape

Learn More With Our Awesome Tutorials!

Looking to expand your bag of Adobe Illustrator skills? Start right now by checking out these in-depth tutorials that will help you bring your art to the next level!

  • Ever wondered what a Compound Path is, or how exactly you should use one? Well if that’s the case, give this short video a go and you’ll be mastering them in…

  • As a beginner, creating digital artwork intended for web use can sometimes get a bit frustrating, especially when you put a lot of time into a piece (be it…

  • Creating shapes in Illustrator can sometimes become an unintuitive process, especially if you’re doing it using Pathfinder’s Shape Modes. Luckily for us,…

Need Awesome Resources? We’ve Got You Covered!

Whether you’re looking for brushes, textures, or any other creative resource, we’ve put together an amazing library that’s forever increasing, which you can check out by heading over to Envato Elements.

That being said, I’ll see you in the next one!

How to Create a Summer Vacation Illustration in Adobe Illustrator

Final product image
What You’ll Be Creating

In this tutorial, you will learn how to create a summer vacation illustration in Adobe Illustrator. To be more exact, we will create an image of a woman sitting on a bunch of suitcases. We will use basic shapes, warp effects, and the Scissors Tool to create our illustration. This tutorial is broken down into clear, simple steps, making it suitable for beginners.

If you love vacation and travel and want to find tons of amazing images online, then go to GraphicRiver. They have an amazing selection of images there, including some vacation ones.

So, let’s get started!

1. How to Create the Woman’s Head and Hat

Step 1

After opening your Adobe Illustrator, let’s start to create the woman, beginning with her head. Take the Ellipse Tool (L) and draw an ellipse that is almost a circle. Delete the stroke color if you have one, and set the fill color shown below.

Then we want to give her a smiley mouth, so draw an ellipse again and set a white fill color. Add a new ellipse overlapping this one—it should cover just the top part of the previous ellipse. In the image below, you can see how the shapes need to overlap each other. They’re marked with a black stroke, which you don’t actually need in your illustration.

Select the two white ellipses, go to the Pathfinder panel (Window > Pathfinder), and click on the Minus Front button. You’ll end up with a crescent shape, which is the smiley mouth!

how to create the head and mouth

Step 2

Sunglasses are a mandatory attribute of summer vacations, and we will start to create them by using the Rounded Rectangle Tool. Set a dark grey fill color and no stroke.

While keeping it selected, go to Effect > Warp > Bulge. A new dialogue window will pop up, where you want to enter the options presented below. Then press OK. The first lens of the sunglasses is ready.

Now we want to create another lens for the sunglasses. Select the first one and, while holding the Shift and Alt keys on your keyboard, move this shape to the right. Holding these two keys will help you to create a copy (Alt), which will be perfectly aligned horizontally (by the Shift button).

Now we want to create the bridge of the sunglasses. Press the Swap Fill and Stroke button on the Tools panel (Shift-X), and the fill color you had will transform into the stroke color. That’s exactly what we need. Hit the Arc Tool and draw a curve between the two glasses. Now the sunglasses are ready!

how to create the glasses

Give them to the woman, who looks more like an alien now!

how to place the glasses

Step 3

We will create the woman’s hair from a few parts. First, draw an ellipse using the Ellipse Tool (L). Be sure you delete the stroke color and set the necessary fill color.

While keeping it selected, go to Effect > Warp > Arc and in the new dialogue window enter the options shown below. Then, press OK.

Finally, expand this shape (Object > Expand Appearance). As we will rotate this shape later on, we must expand it first in order not to deform it.

how to create the front hair

Step 4

After this, place this shape on the woman’s head. Notice that it has to stay behind the glasses. After you’ve placed the left part of the hair on the woman’s face, select the glasses, cut (Control-X), and place them over the hair (Control-F).

So now we have the left part of the hair, and we want to create the right part. Select the left part and hit the Reflect Tool (O). Then, while keeping the Alt key pressed, click on the woman’s forehead. A new dialogue window will pop up, where you need to enter Axis Vertical, Angle 90 degrees, and then press Copy. You’ve just created a vertical copy of the left part to get the right part.

Finally, we want to create the hair at the back. Draw a darker ellipse behind the head using the Ellipse Tool (L). Remember, to place something behind everything, you need to cut it (Control-X), and then place it behind (Control-B).

The last effect we must apply to the back hair is the Inflate effect. While keeping the back hair selected, go to Effect > Warp > Inflate, and then enter the options shown in the image below.

how to create the front and back hair

Step 5

After that, we are going to create the hat. Using the Ellipse Tool (L), draw a red ellipse on the woman’s forehead. Warp it (Effect > Warp > Arc), and enter the options shown below.

Finally, add a big red ellipse behind everything. The hat is done!

how to create the hat

2. How to Create the Woman’s Body

Step 1

Let’s start to create the body from a circle. It doesn’t have to be an even circle. While keeping it selected, go to Effect > Warp > Inflate, and enter the necessary options. You don’t need to expand this shape, but you can if you want to (Object > Expand Appearance). If you do not want to expand, it means you can edit the options later in the Appearance panel (Window > Appearance).

Finally, add the neck using the Rectangle Tool (M), by creating a small rectangle under the head. You don’t actually need the stroke that is shown below.

how to create the body and neck

Step 2

To create the dress, we need a white fill color and the Rectangle Tool (M). The black stroke you see below is presented just for better visibility, and you don’t actually need it in your final illustration. So draw a rectangle and then apply the Bulge effect to this shape (Effect > Warp > Bulge).

how to create the dress

Step 3

Place the upper part of the dress on the woman’s body.

To add the first strap, draw a small rectangle using the Rectangle Tool (M) with white fill color and no stroke. Place the strap on the left shoulder and rotate it a little bit to the left.

Select the left strap and hit the Reflect Tool (O). Then, while keeping the Alt key pressed, click just under the woman’s neck. A new dialogue window will pop up, where you need to enter Axis Vertical, Angle 90 degrees, and then press Copy. Remember that the stroke is there only for better visibility. Now she has two dress straps.

how to create the straps

Step 4

Add a tiny ellipse where the hand should be. Then take the Direct Selection Tool (A), and select the top and bottom anchor points on the ellipse. Pressing the Up Arrow on your keyboard, move these anchor points up just a little. Remember, you don’t need the black stroke.

Now we want to create another hand. Hold down the Shift and Alt buttons together and move the hand to the right using the Selection Tool (V). You just created the hands!

how to create the hands

Step 5

After that, we are going to create the bottom part of the woman. Draw an ellipse which should overlap the upper part of the dress.

Using the Direct Selection Tool (A), select its left and right anchor points and move them down using the Down Arrow on your keyboard.

Select all of the dress parts (the two straps, as well as the upper and bottom parts) together (you should hold the Shift button to select two or more objects). Go to the Pathfinder panel (Window > Pathfinder) and press the Unite button. Now you should have one shape instead of four.

how to create the dress

Step 6

Let’s create the left leg. Draw an ellipse, place it where the leg starts, and then rotate it to the right.

Add a rectangle as shown in the image below. While keeping this rectangle selected, go to Effect > Warp > Arc Upper and enter the options shown below.

To finish off the leg, add four tiny ellipses as toes. And as before, make sure that you do not have the black stroke.

how to create the leg

Step 7

Select the whole leg and group it (right-click > Group) so you can move it later on.

Then create a vertical copy of the left leg to get the right one. By using the Reflect Tool (O), you can do this. Now the woman is ready!

how to create the another leg

3. How to Create the Suitcases

Step 1

Let’s create the first suitcase. First, draw a light blue rectangle.

Create a copy of it in front and shrink it down from the top and bottom until you get a very thin rectangle. Set the fill color shown for the new thin rectangle.

Hit the Rounded Rectangle Tool and draw a tiny yellow rounded rectangle on the left side of the thin rectangle. Add one more rounded rectangle over it, which should be darker.

Select the two yellow rounded rectangles and, while holding the Shift and Alt buttons, move the rounded rectangles to the right.

Then, add two blue circles as shown in the image below. If you want to have an even circle, hold down the Shift key while creating it.

how to create the first suitcase

Step 2

Now we are going to create the handle of the suitcase. Delete the fill color and set the stroke color shown below. Draw a rounded rectangle.

Grab the Scissors Tool (C) and click on the marked places. You just cut off the upper part of the rounded rectangle. Delete the upper part because you don’t need it. This will be the handle.

how to create the handle

Place the handle on the suitcase. Feel free to adjust the size of the handle.

how to place the handle on the suitcase

Step 3

Place the woman on the first suitcase.

how to place the woman on the suitcase

Step 4

Create another blue rectangle for the second suitcase. It has to be bigger than the first one.

Now you need to switch on the Smart Guides (View > Smart Guides). Set the yellow fill color shown below and hit the Ellipse Tool (L). After that, while holding down the Alt key, start to create a circle exactly on the corner of the rectangle. The Alt key will help you to draw it from the center of this circle, and the Smart Guides will help you to draw the circle exactly on the corner of the rectangle.

After you’ve created one circle, using the Selection Tool (L) and while holding down the Shift and Alt keys, move this circle to the right, on the right corner of the rectangle. Then, move them to the two bottom corners of the rectangle.

Now we will use the rectangle to cut off the unnecessary parts, which are the ones not touching the rectangle. So create a new copy of the rectangle in front (Control-C, Control-F). You now have two rectangles in front of each other, but we want the second rectangle to be in front of the circles. While keeping the second rectangle selected, cut it (Control-X), and place it in front of everything (Control-F). Select it with all four circles. While keeping the five shapes (rectangle and four circles) selected, press the Intersect button on the Pathfinder panel (Window > Pathfinder).

how to create the second suitcase

Step 5

Using the same technique as for the handle of the first suitcase, create another handle for the second one using the Scissors Tool (C). Note the color and shape difference.

how to create the another handle

Step 6

Make a thin, dark rectangle in front of the second suitcase as you did for the first one. Add two small yellow circles as shown below. 

Delete the fill color and set a white stroke color. Take the Line Segment Tool (/) and draw two lines as shown in the image below.

Finally, place the handle you created for the second suitcase on it.

how to create the second suitcase

Add the second suitcase to the image.

how to place the second suitcase

Step 7

Before we start to create the third suitcase, let’s create one little detail: a keyhole. Start with a yellow rectangle. You can use the Eyedropper Tool (I) to take the yellow color you used before in this tutorial.

Add another rectangle at the bottom of the first one. Select the two of them and press the Unite button on the Pathfinder panel. You’ve got one shape from two.

After that, take the Delete Anchor Point Tool (-) and delete the anchor points marked in the image below. You’ve got a trapeze shape.

Add a circle on top of the previous shape. And the keyhole is done!

how to create the keyhole

Step 8

Let’s start to create the third suitcase. Create two rectangles: one dark blue, and a second thin one in an even darker blue shade.

Add a rounded rectangle.

Add the keyhole on the rounded rectangle.

While holding down the Shift and Alt buttons, move the rounded rectangle and the keyhole to the right. Add two tiny circles for even more detail. 

Create a copy of the previous handle and place it on the third suitcase. You do not need to change the color of this one. It’s done!

how to create the third suitcase

Place the third suitcase under the second one.

how to place the third suitcase

4. How to Create the Anchors and Background

Step 1

We are going to create the anchor. Delete the fill color and set the stroke color shown below. Draw a circle.

Add a vertical line using the Line Segment Tool (/). Add a small horizontal line to give your anchor more detail.

Make a copy of one of the previous suitcase handles and change its stroke color. Place it as shown below.

how to create the anchor

Step 2

Draw a square. Just as you used the Shift button to create an even circle, you need to use it while creating a square too.

Rotate it 45 degrees. While the square is selected, hit the Selection Tool (V) and, while holding down the Shift button, start to rotate. The Shift helps you to rotate it exactly 45 degrees.

Using the Scissors Tool (C), cut off the upper part of the square to get a v-shape.

how to create the detail for the anchor

Step 3

Place the v-shape on the bottom of the previously created shapes to get the anchor.

Make one more copy of the v-shape and place it as shown. Create another copy of the v-shape and place it on the other end, forming the anchor.

how to finish creating the anchor

Step 4

Create a copy of the anchor and change its color to red.

how to create another anchor

Place the anchors on the suitcases.

how to place the anchors

Step 5

For the background, create a blue square with 850 px Width and Height, by using the Rectangle Tool (M). First, take the tool, and then click on your artboard and enter the necessary options.

how to create the background

Place the background behind (Control-X, Control-B) everything you created before, creating a summer-themed image.

how to place the background behind everything

Step 6

To make this image even more appealing and summery, you can add some tropical leaves, which you can learn how to create in one of my previous tutorials

how to place the palm leaves

Awesome Work, You’re Done!

Congratulations on finishing this tutorial and creating an image. And again, for more inspiration, art, ideas, and much more, check out GraphicRiver. They really have a river of images! I’m sure yours is ready to be presented to all the people! 

Hopefully you enjoyed this tutorial and learned something new. As you can see, it is very easy to create images in Adobe Illustrator.

See you next time!

final

How to Use the Blend Tool for Lettering in Adobe Illustrator

Final product image
What You’ll Be Creating

Have you ever wondered what tools you can use to make lettering more attractive than it already is? The Blend Tool is easy to use, and you can quickly bring more life to script letters! 

Looking for amazing vector resources and Illustrator addons? Head on over to GraphicRiver.

What Will You Need

You’ll need access to Adobe Illustrator; if you don’t have the software you can download a trial from the Adobe website. You’ll also need the following:

1. Open the Line File Provided

Open the Adobe Illustrator line file. This file is already set up as a 1080 px x 1080 px document in RGB at 72ppi.

Open the file provided with the lined script word hi

2. How to Create the Initial Stroke for the Lettering

Step 1

Head over to the toolbar and click on the Rectangle Tool. Click and hold to expand the options and select the Ellipse Tool (L). Hold Option-Shift to draw an even circle expanding from the centre; I am choosing a size of 64 px. This circle will dictate the size of the stroke.

Create a circle using the Ellipse Tool

Step 2

We want to add a gradient to the new shape we created. Select the shape and head over to the toolbar. Select the outline swatch and click on none. Select the Fill swatch and select Gradient.

Change the Fill of the circle to a gradient and no stroke

Step 3

We want to give color to this gradient, so let’s open our Gradient panel by going to Window > Gradient. Select one side of the gradient slider and on the Color bar select the color you wish to use. Any color you would like to use is fine—just make sure one side of the slider is light and the other side is dark. This will give more dimension to the artwork. I am choosing blue, with the color code #3CD9FF for the left slider and #0000FF for the right slider.

Change the gradient to a blue color

Step 4

Let’s multiply the shape by pressing Option-Shift and dragging to the right. I am choosing a purple color for this other shape with the following codes: #FF9BFF and #7900FF.

Duplicate the circle element and add another color to the new circle

3. How to Use the Blend Tool

Step 1

Select both shapes and select the Blend Tool (W). Click on the left point of both circles, starting with the blue and then the purple circle. 

Using the blend tool blend both circles

Step 2

Everybody will get something different, but we want to make a smooth transition. While selecting the shape, double click on the Blend Tool on the toolbar to open the Blend Options window. Under Spacing, select Specified Distance and check the Preview box. Change the Specified Distance to 1 px to get a smooth transition. Click OK.

Open the Blend Options and change the Specified Distance to 1px

Step 3

Select the shape and select the line type. Head over to Object > Blend > Replace Spine. This option will substitute the stroke for the shape we just created while maintaining the two initial shapes we used at the beginning and end of the word. On the right side is a preview (Command-Y) of the elements.

Replace the spine of the main lettering with the blended element

Step 4

Using the Direct Selection Tool (A), we can duplicate a dot for the “i”. Select the circle on the right and press Command-C followed by Command-V and place the newly created circle over the “i”.

Create a dot by copying and pasting a circle with the Direct Selection Tool

Step 5

Let’s add color to the background. Select the Rectangle Tool (M) and create a black square on the artboard. Press Shift-Command-[ to move the square to the back and dock the element by pressing Command-2.

Add a black square background

Step 6

Let’s add some serif text to make the artwork look intricate. Using the Text Tool (T), click on the artboard and type “BYE”. I am choosing Playfair Display at 445 pt in white. 

Using the text tool add the word bye

Step 7

While selecting the text element, press Shift-Command-O to create outlines on the text, followed by Shift-Command-G to ungroup the word.

Transform the text into outlines

4. How to Use the Eraser Tool

We want to create the illusion of the script element intertwining with the serif font. Let’s bring the B forward by selecting it and pressing Shift-Command-]. 

For the “Y”, we can create more dimension as we have the “h” going around the letter. Select the “Y” and press Shift-Command-V to duplicate the element in the same place. This will duplicate it over the script element. On the toolbar, select the Eraser Tool (Shift-E) and start brushing over the segments of the “Y” that you want to be in front. Make sure that the “Y” element you are selecting is the one in front. Try to follow the same outline of the script face to erase the rest of the letter.

The Eraser Tool erases elements that are being selected; if we are not selecting anything, the Eraser Tool will work the same way it works in Adobe Photoshop. I did the same with the “E” letter to look like below. It’s up to you to decide which parts you want to bring forward and to keep in the back!

Below you can see the left side has the letters over the script, and the shapes on the right side in yellow are the ones I used the Eraser Tool on. 

Duplicate the letters over the hi word and using the Eraser Tool erase parts of the word that you want to display forward

5. How to Add Drop Shadow

Let’s give this artwork more dimension. Select the script element and head over to Effect > Stylize > Drop Shadow. Check the Preview box and use the following settings:

Add Drop Shadow to the hi script element

6. How to Save the File

To save the file, head over to File > Save As … to save the file as an Adobe Illustrator file. If you wish to save as a JPEG or other image file format, head over to File > Export and choose the format. Feel free to check Use Artboards if you have placed elements outside of your artboard in the document. Click Export.

Save the file as AI or export it for JPEG

Congratulations! You’ve Finished This Tutorial!

In this tutorial, we’ve paired an easy-to-use tool with lettering to create an intertwined look. Today we’ve learned to:

  • Use the Blend Tool to create a gradient-style pen stroke.
  • Replace the spine of an object with a blended element.
  • Add shadow to create a sense of dimension in the artwork.
End result

If you liked this tutorial you might like these:

Illustrator in 60 Seconds: How to Create a Custom Stipple Brush

Final product image
What You’ll Be Creating

Welcome to our Illustrator in 60 Seconds series, in which you can learn an Illustrator skill, feature, or technique in just a minute!


Illustrator in 60 Seconds: How to Create a Custom Stipple Brush

Always wanted to create your very own Stipple brush, but never knew exactly how?

Well, if that’s the case, take a look at the entire process in the video below, and use the written steps if you get lost.

Also, don’t forget you can expand your library by heading over to Envato Elements where you’ll find a great selection of hand-picked brushes.

How to Create a Custom Stipple Brush

Start by setting up a 200 x 200 px document, in the center of
which we will position a 128 x 128 px circle that we’re going to convert into a custom guide and then use to position our
brush’s composing shapes.

creating the reference surface

Using the Blob Brush Tool (Shift-B), create a
couple of different sized circles, making sure to position the larger ones
towards the inside.

Once you’re done, open up
the Brushes panel and, with all the
shapes selected, click on New Brush, making
sure to set the brush type to Scatter.

creating the scatter brush

As soon
as the Brush Options window appears,
start adjusting the brush by setting its Size
to Pressure and then lowering
its minimum value to just 28%.

Next,
lower the Spacing to 40%, setting the Rotation to Random and
giving it a 60º angle, making sure to
set the Colorization Method to Tints so that you can change its color when you need to.

Once you’re done, simply hit OK and you should now
have a custom stipple brush that you can use in any future project.

Learn More With Our Awesome Tutorials!

Want to expand your Illustrator skills? Start now by checking out these in-depth tutorials that will help you bring your art to the next level!

  • Custom Brushes are one of Illustrator’s most attractive features, but sometimes the process of adding them can prove to be a difficult task, especially if…

  • In this article, we’re going to talk about the top ten most useful tools in Adobe Illustrator. Whether you’re into icon design, illustrations or any other…

  • As a beginner, creating digital artwork intended for web use can sometimes get a bit frustrating, especially when you put a lot of time into a piece (be it…

Illustrator in 60 Seconds: The Perspective Grid

Final product image
What You’ll Be Creating

Welcome to our Illustrator in 60 Seconds series, in which you can learn an Adobe Illustrator skill, feature, or technique in just a minute!


Illustrator in 60 Seconds: The Perspective Grid

Always wanted to use the Perspective Grid but never knew how? If that’s the case then you should definitely check out the video and quick steps which will help you understand all its basic features.

By default, the tool can be
accessed from the left toolbar or by using the Shift-P keyboard shortcut. It comes preset to a two-point perspective, which can easily be changed by heading over to View > Perspective Grid and
choosing from its three available options.

turning on the perspective grid

Depending
on what you are trying to achieve, you can easily adjust the grid using its
different points and handles.

For example, you can adjust the position of its two vanishing points by selecting the outer
circles and moving them closer or further away from the center of the grid.

adjusting the position of the vanishing points

You can control the Vertical Grid Extent and the position
of the Horizon Level using the outer
diamond-shaped handles.

adjusting the position of the horizon level

The center diamond lets you
adjust the size of the Grid Cells,
while the inner side ones let you adjust the Extent of the grid on the planes.

adjusting the size of the grid cells

No matter the tools you
use, the shapes that you create will automatically snap to the Grid Plane, which is currently set as active within the Plane Switching Widget. You can
change that by simply clicking on the different sides of the little cube.

example of drawing on the perspective grid

That’s it! As long as you play with these settings, you’ll be able to create interesting compositions using any of the three perspectives.

A Bit More Detail

Learn more about Adobe Illustrator on Envato Tuts+:

  • Having trouble understanding how Illustrator’s Grid system works? Well have no fear, this little tutorial will help you get started, since it presents the…

  • In this article, we’re going to talk about the top ten most useful tools in Adobe Illustrator. Whether you’re into icon design, illustrations or any other…

  • As a beginner, creating digital artwork intended for web use can sometimes get a bit frustrating, especially when you put a lot of time into a piece (be it…

60 Seconds?!

This is part of a series of quick video tutorials on Envato Tuts+ in which we introduce a range of subjects, all in 60 seconds—just enough to whet your appetite. Let us know in the comments what you thought of this video and what else you’d like to see explained in 60 seconds!